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Two hooded women in pink and black attire looking pensive against a dark background.
Festivals

Benedetta – first-look review

by Hannah Strong

Lip-smacking provocation and saucy humour abounds in Paul Verhoeven’s rip-roaring nunsploitation romp.
Young couple embracing intimately in formal attire, outdoors at night with bokeh lights.
Festivals

The Worst Person in the World – first-look review

by Hannah Strong

Joachim Trier returns to Cannes with a keenly-observed drama about the often turbulent nature of modern romance.
Shadowy profile of a man looking out of a window in a dimly lit room.
Festivals

After Yang – first-look review

by Hannah Strong

Kogonada’s sci-fi-tinged family drama confirms its writer/​director as one of cinema’s most vital new voices.
Elderly man and young woman engaged in close conversation.
Festivals

Everything Went Fine – first-look review

by Sophie Monks Kaufman

François Ozon takes a light-hearted look at the banality and bureaucracy of assisted suicide in his misfiring latest.
Young woman in white top and orange headscarf, young boy in colourful blanket, looking out of window frame
Festivals

Lingui – first-look review

by Mark Asch

Mahamat-Saleh Haroun’s bright, hopeful film addresses the persistent issue of women’s reproductive health in present-day Chad.
A man wearing a baseball cap and casual clothing stands in a crowded urban street, surrounded by other people.
Festivals

Stillwater – first-look review

by Hannah Strong

Matt Damon is a father fighting for his imprisoned daughter’s release in Tom McCarthy’s tonally uneven drama.
A person in a dark suit standing in a room with various electronic devices, including a television displaying a flickering image.
Festivals

The Souvenir Part II – first-look review

by Hannah Strong

Joanna Hogg’s follow-up to her 2019 masterpiece is an immaculate study of grief and filmmaking.
Moody close-up of a man with long dark hair and intense eyes in a blue-tinted scene.
Festivals

Annette – first-look review

by Hannah Strong

Adam Driver and Marion Cotillard star in Leos Carax’s audacious rock opera about a baby with a very special gift.
A group of adults and children standing on a concrete jetty overlooking a body of water. The individuals are wearing casual clothing in a variety of colours, including jackets and jeans.
Festivals

Between Two Worlds – first-look review

by David Jenkins

Juliette Binoche excels as an undercover author in the world of low-wage domestic labourers.
A person wearing a long, detailed white dress standing on a red carpet surrounded by a crowd of people at a formal event.
Incoming

A new documentary will go behind the scenes at the Cannes Film Festival

by Charles Bramesco

Cannes Uncut will capture the ​“glorious excesses” of the world’s most glamorous film festival.