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A woman with curly blonde hair holding a book titled "Etta James at last!" against a warm orange background.
Interviews

Claire Denis on how Etta James inspired Let the Sunshine In

by Sophie Monks Kaufman

One of great­est direc­tors work­ing today picks apart the roman­tic games­man­ship of her won­der­ful latest.
Close-up of a person's open mouth, with vibrant red lips against a striking blue background.
Festivals

Look out for this subtle and furious study of queer loneliness

by Sophie Monks Kaufman

A teen fights for his soul in Brazil­ian char­ac­ter study Hard Paint, which screened at this year’s BFI Flare.
Group of protesters marching, some holding signs, against a vibrant pink background.
Review

120 Beats Per Minute

by Sophie Monks Kaufman

Robin Campillo’s stir­ring AIDS activist dra­ma is a vital reminder of the pow­er of protest.

4
Anticipation
4
Enjoyment
4
In Retrospect
An illustration depicting a cluttered workbench with various tools and instruments. A person with a pensive expression is seated at the table, surrounded by the diverse array of objects.
Interviews

Wes Anderson: ‘I wanted language to play a role without it becoming an obstacle’

by Sophie Monks Kaufman

The US writer/​director takes us inside his spell­bind­ing stop-motion opus Isle of Dogs.
A close-up portrait of a man with a serious expression, his face illuminated by warm tones.
Review

Mom and Dad

by Sophie Monks Kaufman

Nico­las Cage and Sel­ma Blair are struck by mass hys­te­ria in this lunatic hor­ror-thriller from direc­tor Bri­an Taylor.

2
Anticipation
4
Enjoyment
3
In Retrospect
Portrait of a woman with dark hair and a serious expression, set against a red background.
Interviews

Lynne Ramsay: ‘Being a filmmaker is like being a psychoanalyst’

by Sophie Monks Kaufman

The You Were Nev­er Real­ly direc­tor talks fram­ing vio­lence and work­ing with Joaquin Phoenix and Jon­ny Greenwood.
Two people, a woman in a floral shirt and a woman in a blue top, sitting on a bed and facing each other.

‘Dear Mum…’ Letters inspired by Lady Bird

by Simran Hans, Sophie Monks Kaufman, Justine Smith, Hannah Woodhead

Four female writ­ers pen per­son­al mes­sages to their moth­ers in response to Gre­ta Gerwig’s affect­ing film.
A woman in a black dress and jacket standing in a supermarket aisle, examining a product on the shelf.
Review

Lady Bird

by Sophie Monks Kaufman

Saoirse Ronan expe­ri­ences grow­ing pains in Sacra­men­to in Gre­ta Gerwig’s delight­ful indie comedy.

4
Anticipation
4
Enjoyment
4
In Retrospect
Man leaning out of car window on country road against blue sky.
First Person

Robert Yeoman on shooting Wes Anderson’s Bottle Rocket

by Sophie Monks Kaufman

The cin­e­matog­ra­ph­er recalls how the pair hit it off on the director’s 1996 debut feature.
Stylised illustration of a person with dark hair, looking to the side against a landscape with a red sky and trees.
Interviews

Dee Rees: ‘This was a chance to tell the story of black soldiers who came back’

by Sophie Monks Kaufman

The direc­tor of Mud­bound on how she grap­pled with the lega­cy of slav­ery in the Deep South.