Reviews

The Front Room review – a strangely scatalogical chamber piece

By Patrick Sproull

Theatre legend Kathryn Hunter camps it up as a sinister old biddy terrorising her daughter-in-law Brandy Norwood in the horror debut from Max and Sam Eggers.

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Venom: The Last Dance review – air-headed escapism

By David Jenkins

Tom Hardy seems tired and confused in this comic book sci-fi sequel that hasn’t got an original bone in its alien symbiote body.

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Emilia Pérez review – a musical that barely wants to be a musical

By Juan Barquin

This ghastly musical melodrama from Jacques Audiard tells of a Mexican cartel boss’ gender affirming surgery.

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The Room Next Door review – something is missing

By Hannah Strong

Pedro Almodóvar makes his English-language debut with an adaptation of Sigrid Nunez's What Are You Going Through, starring Julianne Moore and Tilda Swinton as old friends who reunite in a time of crisis.

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Dahomey review – a blueprint for anti-colonialist action

By David Jenkins

Mati Diop offers a creative and moving guide to discussing anti-colonialist action in her very fine follow-up to 2019’s Atlantics.

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The Crime is Mine review – Huppert steals the show

By Emily Maskell

François Ozon's first foray into crime comedy boasts bags of charm and a biting feminist edge.

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A Sudden Glimpse to Deeper Things review – effusive ode to Willie Barns-Graham

By Marina Ashioti

Mark Cousins’ lyrical exploration into the life and work of a little-known modernist painter from Scotland.

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The Apprentice review – Demands sympathy for the devil

By Mark Asch

Sebastian Stan essays a young Donald Trump in this glossy, empty film about the orange fascist’s initial dabbling in evil.

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Milisuthando review – an intimate, nuanced cine-essay

By Marina Ashioti

This documentary artfully explores familial love, race and belonging through the complex framework of South African history.

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Smile 2 review – this is going to ruin the tour

By Hannah Strong

Parker Finn follows up his 2022 smash with a suitably silly sequel, in which a pop star becomes the latest victim of the grinning demon who drives victims to suicide.

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The Wild Robot review – a moving ecological parable

By Kambole Campbell

Chris Sanders crafts an expressive, visually striking fable about a robot forced to adapt to the environment of an uninhabited island.

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Portraits of Dangerous Women review – pleasant to a fault

By David Jenkins

Following a bizarre road accident, the lives of three strangers collide in this cheerful yet meandering dramedy.

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Terrifier 3 review – deck the halls with small intestines

By Charles Bramesco

Damien Leone's cult favourite killer clown returns for some festive fun in the third instalment in the goretastic franchise.

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Blitz – A vital fragment of the Steve McQueen saga

By Rógan Graham

A mother and son reunion takes place on the bomb-shattered streets of World War Two-era London in this sweeping historical melodrama.

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Timestalker review – ripples with insight and emotion

By David Jenkins

Alice Lowe’s miraculous second feature is a triumph of imagination, soul-searching and a refined comic instinct.

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The Battle For Laikipia review – captures a violent story as it happens

By David Jenkins

A conflict between indigenous communities and white settlers in a region ravaged by historical grievances and climate change is the subject of this powerful doc.

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A Different Man review – an atmospheric, idiosyncratic thriller

By Hannah Strong

Sebastian Stan and Adam Pearson are an excellent double act in Aaron Schimberg's effective sophomore feature.

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Joker: Folie à Deux review – a grim karaoke session

By Hannah Strong

Todd Phillips recruits Lady Gaga to his circus act as Joaquin Phoenix reprises his role as the crime-committing clown about town in this shockingly amateur musical effort.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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