Reviews

How to Make Millions Before Grandma Dies review – a Thai charmer

By Josh Slater-Williams

This winning comedy about a grandson whose empathy is driven by a sizeable inheritance is obvious grist for the US remake mill.

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Better Man review – chimply irresistible

By Hannah Strong

Ridiculously enjoyable Robbie Williams biopic with the bold gambit of having a CG-chimpanzee in the title role paying off handsomely.

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Nosferatu review – an earthy, erotic masterwork

By Charles Bramesco

Robert Eggers realises a lifelong dream in reimagining the tale of Count Orlok, with spellbinding results.

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Nickel Boys review – a miracle of a movie

By Sam Bodrojan

With this adaptation of Colson Whiteheads Pulitzer Prize-winning novel, filmmaker RaMell Ross delivers 2024’s most harrowing and transcendent film.

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Mufasa: The Lion King review – let down by weak script and songs

By David Jenkins

A rousing, noble misstep from Barry Jenkins, in which the paw-print of this great filmmaker is too light to make out.

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National Anthem review – maintains a bold sense of hopefulness

By Emily Maskell

An introverted 21-year-old supporting his family with manual labour finds a new community in a queer rodeo group in Luke Gilford's charming take on the western.

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Kraven the Hunter review – put it out of its misery

By Hannah Strong

Aaron Taylor Johnson tries his best in JC Chandor's woeful entry in the Sony Spider-Man Universe.

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Queer review – Burroughs would be proud

By Hannah Strong

Luca Guadagnino heads on down to Mexico with Daniel Craig and Drew Starkey in his freewheeling take on William S. Burroughs’ eponymous novel.

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A Complete Unknown review – drips with hollow trivia

By David Jenkins

Timothée Chalamet plays music legend Bob Dylan in James Mangold’s latest, which appears totally unwilling to escape the vapid biopic formula.

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Lord Of The Rings: The War Of The Rohirrim review – not canon-level

By David Jenkins

This anime-style journey to Middle Earth dials back on risk and charm to robustly tell a simple tale of good versus evil.

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Merchant Ivory review – an affectionate yet shallow biodoc

By Marina Ashioti

Stephen Soucy delves into the creative and personal partnership of Ismail Merchant and James Ivory which produced some of Britain's greatest literary adaptations.

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Favoriten review – a moving exploration into the artistic potential of children

By Jordan Cronk

Over three years, Ruth Beckermann documents school life in a multicultural working class district of Vienna.

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Rumours review – laughing while crying inside

By Josh Slater-Williams

Evan Johnson, Galen Johnson and Guy Maddin's political satire pits world leaders against an unlikely climate event.

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Remembering Every Night review – cinema as poetry

By Barney Nuttall

Yui Kiyohara’s wistful, meditative new film follows three women’s lives as they intersect in the quiet outskirts of Tokyo.

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On Becoming A Guinea Fowl review – searing and disorientating

By Hannah Strong

The death of a beloved uncle in a middle-class Zambian family brings some difficult truths to light in Rungano Nyoni's surreal second feature.

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Club Zero review – leaves a sour taste

By Hannah Strong

Jessica Hausner's drama about a teacher who begins a troubling diet club at an elite high school is a poorly-judged slog to sit through.

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Grand Theft Hamlet review – all the world’s a stage

By Marina Ashioti

A production of Shakespeare’s Hamlet in online world of Grand Theft Auto became these two actors’ answer to the pandemic’s enforced lockdowns.

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Nightbitch review – Amy Adams is back

By Jourdain Searles

Amy Adams is on great form in Marielle Heller's adaptation of Rachel Yoder's novel about a new mother who is alarmed discover she is turning into a dog.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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