By John Dunning
This tour documentary-cum-biography celebrates the remarkable life and career of cult musician Beverly Glenn-Copeland.
By Lou Thomas
Neil Maskell is a man on a mission in writer/director Paul Andrew Williams’ furious and formulaic revenge thriller.
Paul Schrader continues his God’s Lonely Man project with Oscar Isaac in-tow as a tormented professional poker player.
Chloé Zhao remixes the Marvel Cinematic Universe template with this ethereal take on the classic superhero saga.
Kristen Stewart is the saving grace of director Pablo Larraín’s slow-paced and inert biopic of Princess Diana.
Ruth Negga and Tessa Thompson stars in Rebecca Hall’s stylish directorial debut about racial identity in 1920s New York.
Annie Clark (aka St Vincent) and Carrie Brownstein set off on an unconventional road trip in this pithy meta-documentary.
Sadie Frost directs this illuminating profile doc on the 1960s fashion icon and progenitor of the miniskirt.
This exceptional debut feature from Andreas Fontana takes in a search for a missing banker in ’70s Argentina.
This time-travelling neo-giallo from Edgar Wright contains a few stunning sequences, but flubs the final act.
Jeymes Samuel’s supremely violent revenge thriller is a bold and bloody reinvention of the movie western.
French graphic novel artist Nine Antico directs this uneven character study of a young woman looking for love.
By Corey Atad
This well-intentioned but glaringly wrongheaded adaptation of the Tony-winning musical is one of the year’s worst.
By Anton Bitel
A horned entity stalks Keri Russell’s school teacher in director Scott Cooper’s allegorical American horror story.
This newly unearthed chronicle of the making of the American singer-songwriter’s favourite album is a gift for fans.
Timothée Chalamet excels as space prince Paul Atreides in Denis Villeneuve’s spectacular widescreen epic.
Wes Anderson’s New Yorker-inspired anthology film is a meticulously-crafted love letter to the art of magazine journalism.
Tom Hardy returns as the reporter with an extraterrestrial monkey on his back in Andy Serkis’ zany comic book sequel.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
