Playlist

Review by Ariel Klinghoffer @fkacernes

Directed by

Nine Antico

Starring

Bertrand Belin Laetitia Dosch Sara Forestier

Anticipation.

Black-and-white cinematography, cool soundtrack, millennial ennui… This sounds familiar.

Enjoyment.

Passivity from the protagonist mean the 84-minute runtime drags.

In Retrospect.

Overdone plot elements with little novelty to glean.

French graphic novel artist Nine Antico directs this uneven character study of a young woman looking for love.

Nine Antico’s debut feature opens with black-and-white shots from within a wagon on the Paris Métro Line 3bis arriving at the Saint Fargeau station. The camera almost appears to be people watching, which is the most exciting activity you can participate in when riding the Paris Métro.

Vocals from Daniel Johnston’s ‘True Love Will Find You in the End’ traipse across the shot, paired with the deep voice of a melancholy French man who begins his film-long narration, “As children, life looked like a long expanse of love […] It turned out things would not be so simple.”

Finally, the shot isolates its prime subject, lingering on our protagonist, Sophie (Sara Forestier), whose place I have been in too many times before, leaning against the carriage door as she witnesses a brawl between two men, one headbutting the other before making his escape when the train screeches to a halt.

It is clear from the outset that Playlist is working towards more of a character study than a high-stakes drama. Sophie starts out as a waitress in her late twenties with little prospect of a career tied to her true passion: art. Beyond her ennui in her professional life, Sophie also feels unfulfilled in her love life, rather in line with the hammy eulogy for romance that the narrator has been dragging on from the beginning; her co-worker Jean (Pierre Lottin), who she has been sleeping with, rather bluntly confesses that he is in love with her when she tells him she is pregnant with his baby.

This sequence plays out in a borderline comedic fashion, kicking off a domino effect of unfortunate events that just sort of happen to Sophie, whereas she would much rather be the one affecting the world around her. Her luck begins to change, if only for a short while, when she is hired at a prestigious graphic novel publishing house on minimum wage, with a self-proclaimed “asshole” for a boss.

Playlist is nothing if not stylish, reminiscent of Noah Baumbach’s indie darling Frances Ha, its focus being a millennial woman who absolutely does not have her shit together. Antico’s film is messy in other, unintended ways, however, and its strength is undermined by a misguided desire to turn it into a rom-com.

Despite its title, the film’s use of music is surprisingly uninspired, as the soundtrack is tied to the narrative through coded moments: for example, the aforementioned track is repeated whenever we are led to believe that Sophie is thinking about love. Or, perhaps she is romanticising a life that is not hers through the potential suitors that she comes across (some more serious than others).

Misguided, wandering, and searching for a purpose, Sophie spends the remainder of the film looking for answers. The dénouement, however, is not fulfilling for her or the audience, sacrificing a potential emotional breakthrough for the story’s weak undercurrent of a quest for love.

Published 22 Oct 2021

Tags: Nine Antico Sara Forestier

Anticipation.

Black-and-white cinematography, cool soundtrack, millennial ennui… This sounds familiar.

Enjoyment.

Passivity from the protagonist mean the 84-minute runtime drags.

In Retrospect.

Overdone plot elements with little novelty to glean.

Suggested For You

Frances Ha

By Anton Bitel

Ahoy sexy! In which the great Greta Grewig stakes a convincing claim to the thrown of most loveable living screen actress.

review LWLies Recommends

Sweetheart

By Marina Ashioti

Teenage romance blossoms by the seaside in first-time director Marley Morrison’s caravan park-set coming-of-ager.

review

Jumbo

By David Jenkins

Noémie Merlant’s fairground employee hitches a ride on the carousel of love in this sci-fi tinged romance.

review

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design