By Mark Asch
An Iranian judge appointed to Tehran's Revolutionary Court grapples with dissent both at work and at home in Mohammad Rasoulof’s politically charged thriller.
Ke Huy Quan and Ariana Debose star in stunt performer Jonathan Eusebio’s Valentine’s Day-themed directorial debut.
By Callie Petch
DreamWorks’ second feature-length Dav Pilkey adaptation is a lot of bark and solid bite.
Rachel Morrison directs a script by Barry Jenkins with this sadly-underwhelming underdog boxing biopic of Claressa “T-Rex” Shields.
Tensions reach fever pitch in a rural Irish farming community in Christopher Andrews' fierce feature debut.
Sophie Thatcher and Jack Quaid star as a young couple whose weekend away uncovers difficult truths about their relationship in Drew Hancock's sci-fi thriller.
Anime director Naoko Yamada returns with a wonderful coming-of-ager set in a Catholic girls' boarding school.
Korean director Hong Sang-soo returns with this playful study of creation, performance and why films don’t need audiences to be successful.
By Mark Asch
Jason Reitman pans back to 1975 and Lorne Michaels' ambitious plans for a live broadcast sketch show in his fanfiction retelling of SNL's inception.
By Mark Asch
Reuniting with Marianne Jean-Baptiste, Mike Leigh makes a welcome return to contemporary filmmaking with a searing portrait of a woman on the brink.
Steven Soderbergh plays with the cinematic form to craft a compelling story about family dynamics and grief.
Adrien Brody is phenomenal in Brady Corbet's sublime three-and-a-half hour drama, as a Jewish architect arrives in post-war America to a hostile new world.
Leigh Whannell follows up The Invisible Man with another present-day revival of a Universal Monster. This one bites.
This conceptually-intriguing folly sees Robert Zemeckis reteaming with Tom Hanks for an effects-driven everyman tale that never gets off the ground.
Audrey Diwan’s cold take on the infamous erotic softcore French novel leaves a bit too much to be desired.
Set in 1944, Maura Delpero’s Italian drama presents a complex familial portrait against the backdrop of a remote Alpine village.
Viktor Kossakovsky takes us on a journey through the concrete and stone that makes up much of our modern world.
A young widow in an Icelandic fishing village faces difficult decisions in Thordur Pallson's period folk horror.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
