by Hannah Strong
Death comes a‑calling once more in this long-overdue sixth instalment into the most morbid horror franchise around.
by Emily Maskell
Amalia Ulman flexes her satirical writing chops, but her latest would have benefitted from more Chloë Sevigny and Simon Rex.
by David Jenkins
Ethan and the team take another crack at foiling a self-learning AI monster that’s hellbent on a global apocalypse.
Leos Carax delves through his own personal archive in this glorious essay film that’s in thrall to Jean-Luc Godard.
by Thomas Boyd
This inquisitive and thoughtful doc takes the massively-popular digital typing school programme as its cue for adventure.
by Rafa Sales Ross
A young enforcer for a Brazilian gangster finds himself hiding out at a sleazy sex hotel in Karim Aïnouz’s neo-noir.
by Laura Venning
Anchored by a talented cast clearly having the time of their lives, Andrew Ahn’s new banquet is a bit of a treat.
Unearthed love letters provide creative fuel for Icelandic singer Emilíana Torrini in this charming, music-fuelled character study.
by Fatima Sheriff
There’s a lot of superficial fun to be had with this superhero romp, which hasn’t been the case in the MCU for a long while.
by Esther Rosenfield
David F Sandberg’s tangentially related adaptation of Supermassive Games’ horror hit forgets what made its video game source material so great.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.