Alex Scharfman rallies together a cast stacked with comedic actors, but the result of this dull ‘Eat the Rich’ flick misses the mark.
Darren Thornton's remake of Mid-August Lunch sees a novelist on the brink of breaking out tasked with caring for his ailing mother and her friends.
By Rógan Graham
A-Level results day gives way to a compelling look at late teenhood in Sasha Nathani’s London-set debut feature.
A grieving family find themselves with an unwanted house guest in the latest underwhelming thriller from journeyman director Jaume Collet-Serra.
Alain Guiraudie defies neat categorisation with his shapeshifting eighth feature about morality, crime and queer desire.
The Neurocultures Collective and Steven Eastwood present a world perceived through autism in this wonderfully experimental, hybrid endeavour.
Jack Quaid delivers a charming performance as a man incapable of feeling pain in Dan Berk and Robert Olsen's ultraviolent action-comedy.
Even Jason Statham looks bored by his latest hard man turn in Davey Ayer's uninspired adaptation of Chuck Dixon's novel Levon's Trade.
Tensions flare between front of house and kitchen staff in Alonso Ruizpalacios' Times Square restaurant-set drama.
Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are just a little too strident.
The millennium bug triggers a cyber-apocalypse in Kyle Mooney’s nostalgia-driven directorial debut.
This lightweight Chabrolian country drama from François Ozon sees an elderly retiree with a complex past trying to do right by her family.
Ondi Timoner revisits her classic 2004 rock doc with an extended version that doesn’t add much to the greatness of the original.
The beautiful, complex bond between acclaimed photographer Joel Meyerowitz and writer/artist Maggie Barrett is the subject of this artful doc.
Shahana Goswami stars as a widow who inherits her late husband’s police officer position in Sandhya Suri’s sharp fiction debut.
By Leila Latif
Robert De Niro does double duty as Frank Costello and Vito Genovese in Barry Levinson's surprisingly enjoyable gangster thriller.
A small grey cat embarks on a big adventure in Gints Zilbalodis' charming Oscar winner.
This well-mounted ensemble comedy sees a schlubby Josh Radnor forced to deal with a visit from his eccentric parents and brother.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
