NYFF

C’mon C’mon – first-look review

By Charles Bramesco

Joaquin Phoenix and newcomer Woody Norman play uncle and nephew in Mike Mills’ tender drama about a family in flux.

French Exit – first-look review

By Charles Bramesco

Michelle Pfieffer prowls the upper social echelons of Paris and Manhattan in this trifling take on Patrick DeWitt’s novel.

Mangrove – first-look review

By Rogan Graham

Steve McQueen’s film about the Mangrove Nine trial is a masterful evocation of political determination.

Lovers Rock – first look review

By Hannah Strong

The first instalment in Steve McQueen’s Small Axe series is a soulful love letter to the West Indian dance scene in West London.

Martin Scorsese’s The Irishman to open the 57th New York Film Festival

By Adam Woodward

The legendary director’s long-gestating mob epic will finally be unveiled 27 September.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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