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Man in suit next to red vehicle.
Review

Ferrari review – Driver is fantastic, Cruz is even better

by David Jenkins

Adam Dri­ver por­trays the sin­gle-mind­ed Enzo Fer­rari in his mid­dle-age fol­low­ing the death of his son Dino in Michael Man­n’s uncon­ven­tion­al take on the bio­graph­i­cal drama.

3
Anticipation
4
Enjoyment
4
In Retrospect
Two men in a theatre auditorium, one wearing a leather jacket and the other an older man in the foreground.
Festivals

Ferrari – first-look review

by Hannah Strong

Michael Man­n’s long-await­ed Enzo Fer­rari biopic is a dis­ap­point­ing­ly con­ven­tion­al and sur­pris­ing­ly rough por­trait of an auto­mo­tive icon.
Man wearing sunglasses in dark setting
In Praise Of

How capitalism breeds blue-collar burnout in Thief

by Blaise Radley

In Michael Mann’s scorch­ing debut, James Caan chas­es a dream he knows he can nev­er achieve.
Close-up of a serious-looking man with long dark hair, holding a device in his hand against a blurred natural background.
In Praise Of

Why I love Daniel Day-Lewis’ performance in The Last of the Mohicans

by Sam Bowles

He’s nev­er been bet­ter than in Michael Mann’s his­tor­i­cal epic.
A smiling man wearing a coat and tie behind the steering wheel of a car.
Incoming

Hugh Jackman is playing Enzo Ferrari in Michael Mann’s biopic

by Jack Godwin

The Logan star will play the Ital­ian auto entre­pre­neur in the director’s long-ges­tat­ing drama.
Two people, a man and a woman, riding on an escalator in a shopping mall, with advertising posters visible in the background.
Review

Blackhat

by David Jenkins

Michael Mann returns with a majes­tic B‑thriller which offers a sharp com­men­tary on the mass digi­ti­sa­tion of communication.

2
Anticipation
4
Enjoyment
4
In Retrospect