Michael Mann

Ferrari review – Driver is fantastic, Cruz is even better

By David Jenkins

Adam Driver portrays the single-minded Enzo Ferrari in his middle-age following the death of his son Dino in Michael Mann's unconventional take on the biographical drama.

review

Ferrari – first-look review

By Hannah Strong

Michael Mann's long-awaited Enzo Ferrari biopic is a disappointingly conventional and surprisingly rough portrait of an automotive icon.

Machismo and Mojitos – The misunderstood genius of Miami Vice

By Tom Augustine

Michael Mann’s maligned 2006 remake is quite unlike any Hollywood blockbuster before or since.

How capitalism breeds blue-collar burnout in Thief

By Blaise Radley

In Michael Mann’s scorching debut, James Caan chases a dream he knows he can never achieve.

The 100 Best Films of the 2000s: 100-76

By Little White Lies

Part one of our bumper survey of the noughties, featuring Avatar, Borat! and Requiem for a Dream.

Why I love Daniel Day-Lewis’ performance in The Last of the Mohicans

By Sam Bowles

He’s never been better than in Michael Mann’s historical epic.

10 great heist movies to get you in the mood for Baby Driver

By Ian Gilchrist

Classic crime-thrillers to seek out – from Rififi to Thief, Dog Day Afternoon to Reservoir Dogs.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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