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The Oscar Goes To...

Why Fire Island deserves the Best Adapted Screenplay Oscar

by Emma Fraser

Joel Kim Boost­er’s delight­ful mod­ern take on Jane Austen’s Pride & Prej­u­dice is the con­tem­po­rary romance we deserve.
Two individuals in period costume, one wearing a large straw hat with floral decoration, the other has a serious expression and is gesturing towards the camera.
Review

Emma

by Hannah Strong

It’s no Clue­less, but a strong cast just about sus­tains Autumn de Wilde’s faith­ful take on Jane Austen’s novel.

3
Anticipation
3
Enjoyment
2
In Retrospect
Two individuals in period costume, one wearing a large straw hat with floral decoration, the other has a serious expression and is gesturing towards the camera.
Incoming

Jane Austen gets a sumptuous revival in the Emma trailer

by Charles Bramesco

Anya Tay­lor-Joy takes the title role in Autumn de Wilde’s adap­ta­tion of the com­e­dy of manners.
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Interviews

Whit Stillman: ‘There would be a lot more Jane Austen movies if there were dollar signs’

by David Jenkins

The dean of Amer­i­can com­e­dy cin­e­ma talks tack­ling (and acing) a lost Jane Austen classic.