James Mangold

Le Mans ’66 – first look review

By Hannah Woodhead

Christian Bale and Matt Damon banter and bicker their way through James Mangold's slick racing biopic.

63rd BFI London Film Festival line-up brings female directors to the fore

By David Jenkins

Céline Sciamma, Marielle Heller and Athina Rachel Tsangari are all heading to the capital this October.

Is it time to do away with post-credits scenes?

By James Luxford

These bonus moments have become a mainstay of modern blockbuster. But are they a cynical marketing tool or cinema’s secret weapon?

How Cop Land deconstructed Sylvester Stallone’s legacy

By Jack Godwin

James Mangold’s 1997 crime drama saw the actor once again prove himself against the odds.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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