These bonus moments have become a mainstay of modern blockbuster. But are they a cynical marketing tool or cinema’s secret weapon?
By Jack Godwin
James Mangold’s 1997 crime drama saw the actor once again prove himself against the odds.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
