Timothée Chalamet will play Bob Dylan in a new… | Little White Lies

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Tim­o­th­ée Cha­la­met will play Bob Dylan in a new James Man­gold film

07 Jan 2020

Words by Charles Bramesco

Smiling young man with curly brown hair wearing a pinstriped waistcoat and white shirt stands in front of a blue backdrop with "LITTLEWG" text.
Smiling young man with curly brown hair wearing a pinstriped waistcoat and white shirt stands in front of a blue backdrop with "LITTLEWG" text.
Tim­my will tack­le the con­tro­ver­sial Dylan goes elec­tric” peri­od in 1965.

Tim­o­th­ée Cha­la­met got his big break­out roles in Call Me by Your Name and Lady Bird, the lat­ter of which cast him as the pseu­do-intel­lec­tu­al Howard Zinn-read­ing Kyle. He was a nat­ur­al fit for the aloof­ness, the play­ful antag­o­nism, the reluc­tant heart­throb qual­i­ty — all of which have pre­pared him for the next major chal­lenge of his career.

He’s in talks to bring that rock star/​poet ener­gy to the role of Bob Dylan in a new movie for James Man­gold, accord­ing to an entic­ing new item from Dead­line. The film remains unti­tled as of now, but the bul­letin refers to the film as being known around insid­ers as Going Electric.

The title refers to the par­tic­u­lar focus of the film, which joins Dylan in 1965 at the height of the folk movement’s pop­u­lar­i­ty. He was at the fore­front of the genre, but scan­dal­ized his fans by shift­ing to elec­tric gui­tar with his per­for­mance at the New­port Folk Fes­ti­val. He cre­at­ed the sort of uproar that has always amused Dylan, dar­ing his fan­base to keep up with him as he embraced the sound of the future.

The role comes with a lot of bag­gage, as Cha­la­met will com­pete with the six actors who pre­vi­ous­ly por­trayed Dylan to per­fec­tion in Todd Haynes‘ exper­i­men­tal biopic I’m Not There. That unusu­al approach to biog­ra­phy was so impres­sive for the sheer breadth of Dylan’s life that it cov­ered, from his ear­li­est child­hood to the grips of old age; Cha­la­met will have to dis­tin­guish his take on the Nobel lau­re­ate from that of Cate Blanchett, who earned an Acad­e­my Award nom­i­na­tion for tap­ping into this same peri­od of Dylan’s life.

While it may be a good fit for Cha­la­met, it’s a sur­pris­ing gig for Man­gold to take, hav­ing estab­lished him­self in the action world as of late with the super­heroics of Logan and the adren­a­line-charged rac­ing of Le Mans 66. How many roads must a genre auteur walk down before he may call him­self a pres­tige direc­tor of Oscar-des­tined biopic fare?

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