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Three women in period costume, one with dark curly hair, one with bright red curly hair, and one with blonde curled hair, standing and conversing.
Review

The Crime is Mine review – Huppert steals the show

by Emily Maskell

François Ozon’s first for­ay into crime com­e­dy boasts bags of charm and a bit­ing fem­i­nist edge.

4
Anticipation
4
Enjoyment
3
In Retrospect
Two women in a garden, one wearing a sun hat and the other contemplating something while the other gestures.
Festivals

A Traveller’s Needs – first-look review

by David Jenkins

Isabelle Hup­pert proves she’s one of the great com­ic per­form­ers in this delight­ful­ly mean­der­ing char­ac­ter piece from Hong Sang-soo.
A woman in glasses and a black coat, standing amidst a group of people wearing white and red uniforms.
Review

La Syndicaliste

by Lillian Crawford

Isabelle Hup­pert stars as the head union rep­re­sen­ta­tive of a multi­na­tion­al nuclear pow­er com­pa­ny in Jean-Paul Salomé’s cor­po­rate drama.

3
Anticipation
2
Enjoyment
2
In Retrospect
Silhouette of a cat standing in a dark, red-lit room with hanging lights.
Review

EO

by Mark Asch

A don­key sets off on a long jour­ney to reunite with his mis­tress in Jerzy Skolimowski’s far-reach­ing drama.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two people, a woman with long blonde hair and a man with short dark hair, sitting together and looking serious.
In Praise Of

Why I love Isabelle Huppert’s performance in Amateur

by Joe Flockhart

Hup­pert’s role in Hal Hart­ley’s 1995 black com­e­dy curio remains one of her most inter­est­ing to date.
Two women seated on a white bench, one wearing a floral dress and the other a blue jacket and purple dress.
Review

Frankie

by Laura Venning

Writer/​director Ira Sachs miss­es a trick with this ambling fam­i­ly dra­ma set in a pic­turesque Por­tuguese town.

4
Anticipation
3
Enjoyment
2
In Retrospect
Woman with a stern expression behind metal bars in an urban setting.
On Location

On Location: The concert house from Michael Haneke’s The Piano Teacher

by Adam Scovell

The ele­gance of the Vien­na Con­ser­va­toire per­fect­ly con­trasts the raw bru­tal­i­ty of Isabelle Huppert’s actions.
Woman with red hair wearing striped top, leaning against tiled wall.
Festivals

Frankie – first look review

by Charles Bramesco

Isabelle Hup­pert gives a gen­tle tour de force in Ira Sachs’ exis­ten­tial Por­tuguese getaway.
Profile of a woman looking wistfully out of a window, face partially in shadow.
Review

Greta

by Caitlin Quinlan

Isabelle Hup­pert and Chloë Grace Moretz star in this enjoy­ably sil­ly cat-and-mouse thriller.

3
Anticipation
4
Enjoyment
3
In Retrospect
A woman wearing a black dress assists a partially nude person lying on a couch against a warm-toned background.
Review

Reinventing Marvin

by David Jenkins

Isabelle Hup­pert cameos in this sen­ti­men­tal com­ing-out sto­ry from French direc­tor Anne Fontaine.

3
Anticipation
3
Enjoyment
3
In Retrospect