Glasgow Film Festival

The best new films at the 2019 Glasgow Film Festival

By Josh Slater-Williams

Highlights from this year’s programme, including a tribute to legendary DoP Robby Müller.

Beats – first look review

By Josh Slater-Williams

Two best friends have the night of their young lives in Brian Welsh’s rave-era coming-of-ager.

The true story of Montgomery Clift, as told by his youngest nephew

By Christina Newland

Making Montgomery Clift explodes the myths surrounding the Hollywood star and queer icon.

Glasgow Film Festival presents… 1969: End of Innocence

By Little White Lies

The ever-industrious Scottish festival is a LWLies fave, and they’re taking a journey back to the Summer of Love.

Jonah Hill’s Mid90s to open the 2019 Glasgow Film Festival

By Adam Woodward

This year’s GFF kicks off with the actor’s directorial debut, while Brian Welsh’s Beats closes proceedings.

The Party’s Just Beginning – first look review

By David Jenkins

Karen Gillan tries her hand at writing and directing in this fiery but formulaic character study.

A B&B in Glasgow is showing Groundhog Day every day for a fortnight

By Hannah Woodhead

Harold Ramis’ 1993 comedy bears repeating as part of the 2018 Glasgow Film Festival.

Is this the grossest movie ever made?

By David Jenkins

Steve “Flying Lotus” Ellison delivers a sick suite of gag-inducing shorts at the 2017 Glasgow Film Festival.

A bold new film defends the practice of seal hunting

By David Jenkins

Angry Inuk is an intriguing documentary about the death of political nuance.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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