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Woman wearing a white shirt, standing in a room with purple and red lighting.
Review

Last Night in Soho

by David Jenkins

This time-trav­el­ling neo-gial­lo from Edgar Wright con­tains a few stun­ning sequences, but flubs the final act.

4
Anticipation
3
Enjoyment
2
In Retrospect
Two individuals embracing, silhouetted against a warm, glowing backdrop. Vibrant colours and dramatic shadows create an intimate, emotive scene.
Home Ents

Why Dario Argento’s Deep Red remains a trashy masterpiece

by Anton Bitel

The Ital­ian director’s 1975 gial­lo clas­sic is being re-released in a new­ly restored, longer edit with addi­tion­al scenes.
A woman with red hair performing on stage under bright red lighting.
Festivals

Last Night in Soho – first-look review

by David Jenkins

Edgar Wright’s live­ly Lon­don-set gial­lo, star­ring Anya Tay­lor-Joy and Thomasin McKen­zie, fails to deliv­er on its fas­ci­nat­ing premise.
A bearded man with long hair wearing a headpiece and appearing distressed against a blue background.
Home Ents

Discover the first-person POV terror of Dario Argento’s Opera

by Anton Bitel

The hor­ror maestro’s 1987 gial­lo is released in a spe­cial new 2K restora­tion this month.
A close-up view of a man with dark curly hair and a pensive expression, against a blurred background.
Home Ents

Discover the proto-giallo pleasures of Dario Argento’s debut feature

by Anton Bitel

A 4K restora­tion of The Bird with the Crys­tal Plumage is being released.
Two men in suits shaking hands against a stone wall.
Home Ents

The low, lurid pleasures of Dario Argento’s The Cat O’ Nine Tails

by Anton Bitel

The Ital­ian director’s 1971 gial­lo shows a vision­ary film artist still find­ing his feet.
Two human faces in a dramatic red lighting, with shadowy features and intense expressions.
Home Ents

The surreal, singular genius of Dario Argento’s Suspiria

by Anton Bitel

Forty years on, the director’s night­mar­ish gial­li has lost none of its potency.
Close-up of a person's face covered by a grey fabric mask with eye and mouth holes visible.
Home Ents

Discover the voyeuristic thrills of this gory ’70s giallo

by Anton Bitel

Ser­gio Martino’s schlocky 1973 film Tor­so offers a mas­ter­class in the male gaze.