Emily Blunt

Oppenheimer review – Cillian Murphy’s finest hour

By David Jenkins

This combustible and relentlessly-paced biography of the “father of the the atomic bomb” is a contender for Christopher Nolan’s best film.

review LWLies Recommends

Everything we know about Christopher Nolan’s Oppenheimer

By Elizabeth Wiart

The British writer/director has lined up an all-star cast for his forthcoming biopic of the father of the atom bomb.

Jungle Cruise

By Lou Thomas

Expectations be damned: Disney’s riverboat caper is one of the year’s most purely pleasurable motion pictures.

review LWLies Recommends

A Quiet Place Part II

By David Jenkins

Silence is less than golden in this occasionally effective blockbuster sequel which trades horror for action.

review

Weighing up Hollywood’s fixation with the War on Drugs

By Finley Crebolder

The trade in illegal drugs between Latin America and the US has been a favoured subject for mainstream filmmakers for decades.

A Quiet Place

By Anton Bitel

There’s much to admire about this muted horror from actor-director John Krasinksi.

review

The Girl on the Train

By David Jenkins

Emily Blunt stars as a tipsy murder witness in this crushingly perfunctory literary adaptation.

review

Why Edge of Tomorrow is the greatest blockbuster of the 21st century

By Craig Williams

This tricksy, time-looping caper acts as a telling metaphor for the repeated resurgence of its leading man, Tom Cruise.

Dreaming Big – The greatest blockbusters of the 21st century

By Little White Lies

Twelve writers pin their colours to the tentpole in our survey of the best summer movies of the modern era.

Into the Woods

By Adam Woodward

A sing-a-long review of this delightful screen adaptation of Stephen Sondheim’s classic musical.

review

Edge of Tomorrow

By David Jenkins

A weedy Crusier is dropped into a time-switching sci-fi set-up, with undeniably interesting results.

review

Looper

By Matt Bochenski

Meet Looper, by a country mile the most resourceful, vivacious and savage science fiction movie of 2012.

review

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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