By Saffron Maeve
A young girl with ice cubes for teeth comes of age in strange ways in Lucile Hadžihalilović’s disturbing and elliptical latest.
By Katherine Connell
The French writer/director of Innocence and Earwig explains why she tells stories from a dream logic perspective.
A middle-aged man tends to a young girl with ice dentures in Lucile Hadžihalilović’s elliptical English-language debut.
Toronto Film Festival
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