Lucile Hadžihalilović

Earwig

By Saffron Maeve

A young girl with ice cubes for teeth comes of age in strange ways in Lucile Hadžihalilović’s disturbing and elliptical latest.

review

Lucile Hadžihalilovic: ‘When I make a film, something unconscious comes out’

By Katherine Connell

The French writer/director of Innocence and Earwig explains why she tells stories from a dream logic perspective.

Earwig – first-look review

By Saffron Maeve

A middle-aged man tends to a young girl with ice dentures in Lucile Hadžihalilović’s elliptical English-language debut.

The 100 Best Films of the 2000s: 50-26

By Little White Lies

Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.

The best short films at the 2018 BFI London Film Festival

By Michael Ewins

Our pick of this year’s shorts programme, featuring rogue chickens and a shoegaze ode to Chantal Akerman.

Lucile Hadzihalilovic on the evolution of Evolution

By David Jenkins

The French writer/director reveals the steps she took to make her eerie sea-side epic.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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