Emmanuelle Nicot paints an achingly beautiful portrait of friendship, recovery and identity through a young girl’s sexual abuse story.
By Mark Asch
The Dardenne brothers return with a harrowing story of human trafficking in Belgium, centring on two young migrants.
Letitia Wright and Tamara Lawrance star in Agnieszka Smoczyńska’s ambitious but flawed biographical feature.
Verena Paravel and Lucien Castaing-Taylor’s humanist portrait of care, surgery and technology is one of the highlights of Cannes 2022.
A narcissistic couple engage in a constant game of one-upmanship in Kristoffer Borgli’s disappointingly one-note feature.
A teenage cartoonist searches for authenticity in writer/director Owen Kline’s pleasingly grubby debut feature.
By Ed Gibbs
This multi-sensory look at David Bowie’s life and career is an all-consuming affair that explores and safeguards the man’s legacy.
A police detective forms a dangerous bond with a woman suspected of murdering her husband in Park Chan-wook’s swooning crime drama.
By Steph Green
Valeria Bruni Tedeschi mines her memories attending the prestigious Théâtre des Amandiers for this nostalgia-soaked drama.
By Mark Asch
Annie Ernaux and her son David piece together a magical home movie essay on marriage, motherhood and the whole damn thing.
A family’s quiet mountain life is disrupted by the arrival of a relative in Lea Mysius’ beguiling second feature.
By Steph Green
First-time director Charlotte Le Bon draws out sweet performances from her young co-stars in this idyllic coming-of-ager.
Gina Gammel and Riley Keough’s debut feature focuses on two Oglala Lakota teenagers as they come of age in South Dakota.
By Mark Asch
Ethan Coen’s solo debut effort is a ribald and energising archive montage on the life of taboo-busting rocker, Jerry Lee Lewis.
Ali Abbasi’s harrowing Iranian noir tells the true story of Saeed Hanaei, who murdered 16 female sex workers between 2000-2001.
Romanian director Cristian Mungiu returns with a superb social realist western with its finger on the erratic pulse of Europe.
Davy Chou’s bittersweet comedy of a Korean adoptee searching for her biological parents is powered by a dazzling lead performance.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
