The psychological courtroom thriller with the great Sandra Hüller wins the top prize at the Cannes Film Festival.
By Mark Asch
Josh O’Connor breaks out his halting Italian as a grave-robbing rascal in Alice Rohrwacher’s divine exploration of time, history and memory.
By Mark Asch
Italian veteran Marco Bellocchio’s adaptation of David Kertzer’s The Kidnapping of Edgardo Mortara is an occasionally enthralling, yet often staid and repetitive affair.
French provocateur Catherine Breillat returns with strange film about a transgressive sexual relationship between a middle-aged lawyer and her teenage stepson.
Juliette Binoche and Benoît Magimel play late 19th century gourmands in Tran Ahn Hung’s scintillating epic of proto-foodie passions.
The long-awaited return of Spanish filmmaker Victor Erice is a slow-burn marvel which climaxes in a sequence of overwhelming profundity and mystery.
Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.
Mexican provocateur Amat Escalante makes a half-cocked bid for mainstream respectability in this intriguing tale of a young man’s torrid search for his missing mother.
Martin Scorsese, Wes Anderson, and Pedro Almodóvar number among the heavy hitters expected on the red carpet.
How Lukas Dhont’s Close adopts a more enlightened and empathetic approach to depicting young people on screen.
The dissolution of a tight friendship and a subsequent tragedy have a profound impact on the life of 13-year-old Léo in Lukas Dhont's poignant drama.
The Bergman Island writer/director on the Swedish maestro, the inner lives of artists and the process of bringing dreams to life.
Mia Hansen-Løve’s lilting rumination on art, relationships and cinephilia is one of her most accomplished and moving films to date.
Léonor Serraille comes good with her novelistic second feature about an immigrant family fighting for survival in France.
Michelle Williams excels as a sculptor whose attention is sapped by colleagues and family in Kelly Reichardt’s ambient social satire.
Albert Serra returns with an apocalyptic saga set in Tahiti in one of his most accomplished and mature films to date.
Lukas Dhont’s second feature focuses on the friendship between two boys, and the tragedy that changes the trajectory of their lives.