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Ornate interior with grand architecture, dim lighting, and a person silhouetted in the foreground.
Festivals

2073 – first-look review

by Anahit Behrooz

Bend­ing the bound­aries of doc­u­men­tary and sci-fi, Asif Kapa­dia presents an urgent mes­sage about the cur­rent state of the world, and where we might be head­ed, with help from Saman­tha Morton.
Vibrant, surreal digital artwork featuring a large, colourful mask-like face with prominent eyes and a long, protruding nose, set against a black background. The face is surrounded by an array of geometric shapes and patterns in various bright colours. In the foreground, a stage-like platform stretches out, creating a sense of depth and perspective.

At the Dream Emulator Film Club, the boundaries between video games and cinema no longer exist

by Barney Nuttall

Meet­ing month­ly at Dal­ston’s Rio Cin­e­ma, this new project shows exper­i­men­tal visu­al art that defies clas­si­cal categorisation.
A man in a dark coat standing in front of a weathered wooden crate with writing on it, surrounded by branches and a night sky.
Home Ents

Three decades on, Joel Schumacher’s Flatliners is a cheesy, existential delight

by Anton Bitel

A group of med­ical stu­dents push the bound­ary between life and death in this bom­bas­tic thriller.
Two people, a woman and a man, facing each other in a dark room.
In Praise Of

Why Bound is the perfect queer Valentine’s film

by Jasmine Valentine

The Wachowskis’ 1996 neo-noir star­ring Gina Ger­shon and Jen­nifer Tilly is an endur­ing, sub­ver­sive romance.
Two women, one with dark hair comforting another with blonde hair, in a dimly lit room with candles.
Incoming

Nuns get hot under the collar in the Benedetta trailer

by Charles Bramesco

Vir­ginie Efi­ra, Lam­bert Wil­son and Char­lotte Ram­pling lead Paul Verhoeven’s Cannes-bound drama.
Elderly man in casual clothing sitting on a bench outdoors surrounded by trees and greenery.
Incoming

Watch a clip from Hong Sang-soo’s Berlin-bound Introduction

by Charles Bramesco

A young actor works on his rela­tion­ships with his father and girl­friend in the Kore­an master’s newest feature.
Illustration of a woman with pink hair holding a fish in a body of water against a starry night sky background.
Interviews

Cathy Yan: ‘I love pushing the boundaries of genre’

by Grace Z Li

The Birds of Prey direc­tor reflects on her 2018 debut fea­ture Dead Pigs, and teas­es her next project.
Four people sitting at a table in a rustic mountain lodge, enjoying food and drink while looking out at a snowy landscape through large windows. Dark wooden furniture and a chequered tablecloth contrast with the bright, wintry scene outside.
Review

Downhill

by Hannah Strong

This US remake of Ruben Östlund’s ski-bound com­e­dy-dra­ma Force Majeure over­sim­pli­fies the source material.

3
Anticipation
2
Enjoyment
2
In Retrospect
Close-up of a young Black woman with dark skin, braided hair, and wearing a white headband and goggles.
Festivals

The rising women of genre cinema

by Justine Smith

This year’s Fan­ta­sia Inter­na­tion­al Film Fes­ti­val in Mon­tréal show­cased an excit­ing emerg­ing crop of bound­ary-push­ing directors.
Two men on stage, one holding an axe above his head, the other playing a guitar. Dark background.

How BE FESTIVAL is transforming the theatre experience

by David Jenkins

Artis­tic direc­tor Miguel Oyarzun on blur­ring the bound­ary between audi­ence and artist.