The legendary Hungarian auteur reflects on the making of his 1994 opus.
Highlights from across this year’s Berlinale, including a hallucinatory war thriller and a metaphysical farce.
By Ian Mantgani
The first lady of French cinema offers a final, typically fascinating self-portrait.
By Ian Mantgani
Sydney Pollack’s long-lost concert doc shows the Queen of Soul at the height of her pop fame.
By Ella Kemp
This portrait of the work of film critic Pauline Kael is a perfect reminder of why movies matter.
By Ian Mantgani
Diane Kruger and Martin Freeman star in this intriguing tale of espionage in modern-day Tehran.
By Ian Mantgani
Charles Ferguson’s mammoth chronicle of President Nixon’s downfall manages to be at once too detailed and too superficial.
By Ian Mantgani
Agnieszka Holland’s biopic of Welsh journalist Gareth Jones is one of the most powerful films at this year’s Berlinale.
By Ian Mantgani
American filmmaker Dan Sallitt delivers a delicate, subtly devastating portrait of friendship and depression.
Álex de la Iglesia’s frisky, single-set survival thriller from Spain loses its steam after an impressive opening act.
A solid docu-homage to the strung-out German synth-proggers and occasional film soundtrackers.
The wistful latest from Korean maestro Hong Sang-soo is powered by an exceptional lead performance.
Remember that title, as you’ll be hearing a lot about Luca Guadagnino’s sublime summertime romance.
Finland’s Aki Kaurismäki lights up the Berlin competition with a typically bittersweet response to the migrant crisis.
Penélope Cruz stars in this frolicsome love letter to Spanish cinema’s golden age from director Fernando Trueba.
Pseudo-intellectual pontificating abounds in Sally Potter’s brisk middle class comedy.
The directors of Leviathan return with a breathtaking character study of the world’s foremost sleep talker.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
