10 results found
by Ben Schwartz
Avatar: The Way of Water is the latest film to utilise this tricky technology, which aims to bring audiences even closer to the action they see on screen.
by David Jenkins
A gaudy blue folly which encapsulates James Cameron’s strength as an image-maker, but weakness as a storyteller.
As Avatar 2: The Way of Water heads into cinemas, it’s worth reconsidering the strange, polarising world of 3D, and what it can bring to the big screen.
by Charles Bramesco
Kate Winslet, Michelle Yeoh, and Edie Falco are among the additions to the sci-fi mega-franchise’s cast.
Honor Swinton-Byrne reprises her role as the writer/director’s on-screen avatar in the forthcoming sequel.
by Kambole Campbell
The producers of Avatar prequel The Legend of Korra expand on Netflix’s dark fantasy series with a bloody “animé”.
Put that in your Infinity Gauntlet and smoke it, Avengers: Endgame!
by Anna Bogutskaya, Charles Bramesco, Kambole Campbell, David Jenkins, Sophie Monks Kaufman, Matt Thrift, Hannah Woodhead, Adam Woodward
Part one of our bumper survey of the noughties, featuring Avatar, Borat! and Requiem for a Dream.
One of the most successful filmmakers of all time talks Alita: Battle Angel, Avatar and the future of cinema.
by Tom Seymour
A big-budget 3D remake of a classic and popular spectacle film starring the guy from Avatar.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.