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Two men in suits, one on a phone, in the back of a car.
Review

The Apprentice review – Demands sympathy for the devil

by Mark Asch

Sebas­t­ian Stan essays a young Don­ald Trump in this glossy, emp­ty film about the orange fascist’s ini­tial dab­bling in evil.

3
Anticipation
2
Enjoyment
1
In Retrospect
Two men in suits, one on a phone, in the back of a car.
Festivals

The Apprentice – first-look review

by Mark Asch

Ali Abbasi’s attempt­ed take­down of Amer­i­ca’s pre­vi­ous (and per­haps next) Pres­i­dent of the Unit­ed States, chart­ing his ear­ly years under the men­tor­ship of Roy Cohn, lacks the killer instinct.
Portrait of a woman with dark hair, wearing a black headscarf, with an intense gaze against a blurred, colourful background.
Review

Holy Spider

by David Jenkins

Ali Abbasi crafts a thriller ripped from the head­lines in this sto­ry of ​‘The Spi­der Killer’ who tar­get­ed female sex work­ers in Mash­had, Iran.

3
Anticipation
3
Enjoyment
3
In Retrospect
Portrait of a woman with dark hair, wearing a black headscarf, with an intense gaze against a blurred, colourful background.
Festivals

Holy Spider – first-look review

by Hannah Strong

Ali Abbasi’s har­row­ing Iran­ian noir tells the true sto­ry of Saeed Hanaei, who mur­dered 16 female sex work­ers between 2000 – 2001.
A woman in a police uniform standing in a dimly lit corridor, her expression stern and focused.
Review

Border

by Anton Bitel

A cus­toms offi­cer falls in love with a strange trav­eller in Ali Abbasi’s twist­ed mod­ern romance.

4
Anticipation
4
Enjoyment
4
In Retrospect