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Poor Things review – Lanthimos at his most playful and comedic

By Savina Petkova

Emma Stone gives a career-defining performance in Yorgos Lanthimos’ opulent provocation about the human body as a nexus for pleasure and pain.

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Priscilla review – subtle and sensational

By Hannah Strong

A star is born in Sofia Coppola's biographical drama based on the relationship between Priscilla and Elvis Presley, with Cailee Spaeny delivering a remarkable performance.

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The Boy and the Heron review – poetry, philosophy, pure emotion

By Mark Asch

Less a swansong and more a heronsong from the Japanese maestro Hayao Miyazaki, a mystical and ambitious message of hope for the future.

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Earth Mama review – new talent arrives on the scene fully-formed

By David Jenkins

Seek out this very special debut feature from Savanah Leaf about a woman navigating the bureaucratic hell of the child services system.

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Trenque Lauquen review – compulsive and completely absorbing

By David Jenkins

One of 2023’s most astonishing films comes in the form of a two-part opus about a woman drawn to mystery that takes a few cues from Twin Peaks.

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Wonka review – Timothée Chalamet is simply sensational

By Adam Woodward

Gather round and listen close... Paul King’s dazzling prequel to Roald Dahl’s beloved story is a joyous expression of pure imagination.

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Femme review – an uninhibited, spikey portrait of revenge

By Emily Maskell

After being the victim of a violent homophobic attack, a young drag performer sees an opportunity to get revenge on one of his tormentors.

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Eileen review – an impressively crafted noir

By Katherine McLaughlin

A shy young prison guard develops an infatuation with her workplace's new psychiatrist in William Oldroyd's twisty new thriller.

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Fallen Leaves review – the Finnish legend returns

By David Jenkins

Another gorgeous tragicomic farce from Finnish maestro Aki Kaurismäki, a heartfelt cinephile ode to the possibility of love among the working classes.

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The Eternal Daughter review – double your Tilda, double your pleasure

By Catherine Bray

Tilda Swinton plays both mother and daughter in Joanna Hogg's eerie and effective exploration of parent-child relationships.

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Napoleon review – a dirty, bloody epic

By Hannah Strong

Ridley Scott takes on the might of France's most famous son in predictably brash and thrilling style.

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May December review – a frothy psychodrama with a lurid bite

By Hannah Strong

Todd Haynes' deliciously dark melodrama sees Julianne Moore and Natalie Portman go head-to-head as a housewife and the woman tasked with playing her in a film.

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The Creator review – welcome, benevolent A.I. overlords!

By Leila Latif

Gareth Edwards serves up a visually ambitious story of war between humans and A.I. beings in this heartfelt sci-fi spectacle.

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The Wonderful Story of Henry Sugar review – Dahl lovingly brought to life as only Anderson knows how

By Hannah Strong

Wes Anderson adapts a Roald Dahl short story with his signature attention to detail and visual panache.

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R.M.N review – effortless brilliance

By David Jenkins

Romanian director Cristian Mungiu returns with a superb social realist western with its finger on the erratic pulse of Europe.

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Strange Way Of Life review – characteristically Almodóvarian queer western

By Hannah Strong

An ageing gunslinger and the sheriff of a small town reunite after many years in Pedro Almodóvar's sweet short film.

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Past Lives review – unravels as a marvel

By Rafa Sales Ross

Celine Song's feature debut is a tender exploration of multiethnic romance, complimented by nuanced performances from Greta Lee and John Magaro.

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Passages review – a tantalising romantic car-crash

By David Jenkins

Ira Sachs returns with an intimate, intense three-hander about a Fassbinder-like film director played by the great Franz Rogowski.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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