Latest | Little White Lies

Latest

Female boxer in white vest and shorts with red gloves celebrates in boxing ring under bright overhead lights.
Toronto Film Festival

Christy – first-look review

by Mark Asch

David Michôd’s biopic of pioneering boxer Christy Martin is a serviceable showcase for Sydney Sweeney.
Blonde woman in white t-shirt stands in doorway with person behind her placing hands on her pregnant belly.
Toronto Film Festival

Maddie's Secret – first-look review

by Mark Asch

John Early’s directorial debut, about a young woman struggling with an eating disorder, is a sincere and surprising comedic triumph.
Black and white aerial view of urban sprawl with mountain silhouette in distance under dramatic cloudy sky.
Venice Film Festival

Below The Clouds – first-look review

by Rafa Sales Ross

Gianfranco Rosi’s study of Italy’s legendary Mount Vesuvius is a beautiful but occasionally stagnant portrait of life near an active volcano.
Person in dark clothing standing beside massive tree trunk in wooded area with dense green foliage overhead.
Venice Film Festival

Silent Friend – first-look review

by Sophie Monks Kaufman

Hungarian filmmaker ldikó Enyedi turns a university’s botanical garden into a site of limitless curiosity as an ancient tree observes the rhythms of three lives over the course of a century.
Young man's face lit by contrasting red and cyan lighting, creating a split-colour effect across his features against a dark background.
Partnership

Re-anticipating Megalopolis

by David Jenkins

Ahead of its release on MUBI, we explore how hints of Francis Ford Coppola’s Megalopolis can be seen in a number of the filmmaker’s past classics.
Two people in dark setting holding lit candles, one wearing white hooded garment, warm orange candlelight against cool blue background.
Venice Film Festival

100 Nights of Hero – first-look review

by Laura Venning

Julia Jackman’s adaptation of Isabel Greenberg’s graphic novel is a charming, ambitious queer fantasy.
Man holding fork near mouth, smiling broadly. Face illuminated with warm red lighting against dark background.
Venice Film Festival

Remake – first-look review

by Hannah Strong

In his first film in 14 years, Ross McElwee comes to terms with the death of his son Adrian, and what good documentary is in the face of heartbreak.
Black and white image of man with curly hair sitting at cluttered table, holding small object, with mug and glass beside scattered papers.
Venice Film Festival

In the Hand of Dante – first-look review

by Hannah Strong

Julian Schnabel’s turgid adaptation of Nick Tosches’ 2002 novel recreates the experience of travelling through Dante’s Inferno for the viewer.
Woman in black coat and hat walking left against pale yellow and white stone wall background.
Venice Film Festival

Duse – first-look review

by Sophie Monks Kaufman

Pietro Marcello’s half-literal, half-imagined portrait of legendary Italian actress Eleonora Duse is elevated by the splendor of leading lady Valeria Bruni Tedeschi. 
Five people gathered around a laptop computer, with a bearded man in white shirt at centre holding a mobile phone.
Venice Film Festival

The Voice of Hind Rajab – first-look review

by Leila Latif

Hind Rajab’s story is almost too terrible to face, yet this masterwork from Kaouther Ben Hania demands we bear witness.

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