Now that Awards Season is finally drawing to a close its time to look forward at what the rest of the year has to offer. We’ll be discussing all the most exciting titles due to hit our screens in 2025.
by Mark Asch
Pamela Anderson excels as an over-the-hill Vegas showgirl seeing out her notice period in this low-key, vibey backstage drama from Gia Coppola.
by David Jenkins
John “Slow West” Maclean returns with a Samurai-inspired heist thriller set in the English wilds – the eccentric results are mixed.
by Blake Simons
Thomas Vinterberg’s 1998 drama finds its way to the Royal Opera House courtesy of an elaborate new reimagining – but how on earth do you adapt a Dogme 95 film into an opera?
by Alex Masse
Taking cues from Ridley Scott’s juggernaut, Mouthwashing is a fascinating game about worker exploitation and the violence of the patriarchy.
by Hannah Strong
Robert Pattinson stars as a so-called expendable in Bong Joon Ho’s hotly anticipated follow-up to Parasite, facing off against perma-tanned megalomaniacs and croissant-shaped creatures.
by Sam Moore
As WWE enters its Netflix Era, there’s an awful lot of “brand synergy” – and it’s becoming a distraction.
by Olivia Popp
Grand Theft Hamlet might be the highest profile film made inside Rockstar’s flagship franchise, but it’s certainly not the first – join us on a cruise through San Andreas Cinema.
On Truth & Movies this week we review three new releases. First up it’s the horror comedy The Monkey and we spoke to its director Oz Perkins and star Theo James. Next we tackle the horrors of 1970’s Brazil in Walter Salles’ I’m Still Here. Finally, we review Irish coming-of-age tale September Says
by Rafa Sales Ross
Walter Salles returns to narrative filmmaking with a sensitive depiction of the forced disappearance of former congressman Rubens Paiva, and the devastation his family faced.
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