by Mila Fielker
A dystopian retro-future of telepathic mutants, gladiators and fascists – does Joe D’Amato’s vision of 2025 show any resemblance to our current reality?
by Hannah Strong
We catch up with one of our all-time favourite filmmakers about his sci-fi caper and creating croissant-like creatures.
by Fedor Tot
Born out of Belgrade’s underground scene in 1995, Želimir Žilnik’s celebration of a tight-knit community of sex workers has a particular power in today’s increasingly divided society.
by Alexander Mooney
Half a century on, the man behind Sextool and LA Plays Itself remains a pioneering, provocative figure of films that straddle the line between pornography and art.
by Madeleine Storer
The “one-inch barrier” that Bong Joon Ho spoke of in 2019 still exists – and it’s not always audiences who are to blame for subtitles being inaccessible.
Now that Awards Season is finally drawing to a close its time to look forward at what the rest of the year has to offer. We’ll be discussing all the most exciting titles due to hit our screens in 2025.
by Mark Asch
Pamela Anderson excels as an over-the-hill Vegas showgirl seeing out her notice period in this low-key, vibey backstage drama from Gia Coppola.
by David Jenkins
John “Slow West” Maclean returns with a Samurai-inspired heist thriller set in the English wilds – the eccentric results are mixed.
by Blake Simons
Thomas Vinterberg’s 1998 drama finds its way to the Royal Opera House courtesy of an elaborate new reimagining – but how on earth do you adapt a Dogme 95 film into an opera?
by Alex Masse
Taking cues from Ridley Scott’s juggernaut, Mouthwashing is a fascinating game about worker exploitation and the violence of the patriarchy.
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