by David Jenkins
John Malkovich is an electro pop god with an axe to grind in this glossy music industry horror-satire by debut director Mark Anthony Green
On Truth & Movies this week, we discuss the taut thriller Black Bag and spoke to its star Cate Blanchett and director Steven Soderbergh. We also review A24’s latest horror movie Opus, hear the latest from the Thessaloniki Film Festival and finally, for film club, revisit the surrealist neo-noir Under The Silver Lake.
by Anton Bitel
Karan Kandhari’s film about a misanthropic newlywed giving into her feral impulses is an unpredictable, genre-bending delight.
by Nadira Begum
A trailblazer on the global cinema stage as well as in his home of Mali, Souleymane Cissé’s cinema of imagination changed the world.
by Lucy Peters
Filmmaker Raoul Peck unearths the searing social realist photographs of an artist whose work was thought to be lost.
The dire lot of a low-paid factory worker is the subject of this rigorous if hardly revelatory character study from debut director Laura Carreira.
by Gayle Sequeira
A spate of recent works are pondering the concept of replicating or separating oneself in response to our increasingly economically perilous world.
On Truth & Movies this week, we discuss the return of Bong Joon Ho with Mickey 17. We also review On Falling and, for Film Club watched brutal Australian neo-western The Rover
by Adam Woodward
Nick Love and Danny Dyer are back with yet another boorish, small-minded take on the football hooligan genre.
by Daniel Glassman
Caveh Zahedi counts Greta Gerwig and the Safdie Brothers among his admirers – but where do you begin with a beast as strange and sprawling as his all-consuming magnum opus?
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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