Features

Three men riding on a train carriage, one wearing a baseball cap and jacket.
Festivals

Highest 2 Lowest – first-look review

by Mark Asch

Denzel Washington stars in Spike Lee's updated version of Akira Kurosawa's High and Low, about a music mogul who is targeted by a vengeful kidnapper.
Illustration of a man in a grey suit holding a glass of champagne, surrounded by other people in a social setting.
LWLies Magazine

LWLies 108: The Phoenician Scheme issue: Out now!

by Little White Lies

Pack your bags for a madcap, cross-country adventure with our issue dedicated to Wes Anderson’s latest, The Phoenician Scheme.
A woman in a gold sequinned dress and a man in a patterned shirt stand together in a room with other people in the background.
Festivals

Eagles of the Republic – first-look review

by David Jenkins

A slick screen icon becomes a political pawn in this brash movie industry satire-cum-political spy thriller from Tarik Saleh.
Four people, two men and two women, standing on wooden steps outdoors.
Festivals

Splitsville – first-look review

by Hannah Strong

Two couples find themselves caught up in a love quadrangle after one of them separate in Michael Angelo Covino's romantic comedy.
A group of young people sitting on benches, with one person speaking into a microphone in front of them. The scene is set against a backdrop of colourful graffiti-covered walls.
Festivals

A new film festival aims to build a community for filmmakers

by Thomas Boyd

Launching in July, Collective Film Festival London will offer a variety of inclusive, international film screenings alongside multidisciplinary, DIY workshops.
Young woman with curly dark hair wearing a white tank top, with a pensive expression on her face.
Festivals

Alpha – first-look review

by Hannah Strong

Returning to Cannes after winning the Palme d'Or for Titane, Julia Ducournau shifts gears with a unique drama inspired by the AIDS crisis.
Group of hikers walking on rocky, grassy trail with dog.
Festivals

The Love That Remains – first-look review

by Mark Asch

Hlynur Pálmason's close-to-home new dramedy documents a year in the life of a family following the parents' separation.
Three young men in casual clothing, one smiling broadly, engaged in lively conversation.
Festivals

Météors – first-look review

by Yasmine Kandil

A reckless act of youthful troublemaking sends two best friends on a downward spiral in Hubert Charuel's drama.
A person leaning on a window frame, looking out at the overcast outdoor scene.
Festivals

Urgency and ambition in Cannes Acid 2025

by Mark Asch

There are hidden gems ripe for discovery in the youngest and smallest Cannes sidebar.
A man with a beard wearing a white shirt and holding a red telephone in front of a wall covered with old newspaper clippings.
Festivals

The Secret Agent – first-look review

by Rafa Sales Ross

An undercover agent discovers he can't escape his troubled past in Kleber Mendonça Filho's gripping new drama about the height of Brazil's military dictatorship.

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