Festivals

A new film fes­ti­val aims to build a com­mu­ni­ty for filmmakers

20 May 2025

Words by Thomas Boyd

A group of young people sitting on benches, with one person speaking into a microphone in front of them. The scene is set against a backdrop of colourful graffiti-covered walls.
A group of young people sitting on benches, with one person speaking into a microphone in front of them. The scene is set against a backdrop of colourful graffiti-covered walls.
Launch­ing in July, Col­lec­tive Film Fes­ti­val Lon­don will offer a vari­ety of inclu­sive, inter­na­tion­al film screen­ings along­side mul­ti­dis­ci­pli­nary, DIY workshops.

The first ever Col­lec­tive Film Fes­ti­val Lon­don (CFFL) will take place lat­er this sum­mer with the aim of build­ing a new com­mu­ni­ty for emerg­ing and estab­lished film­mak­ers alike.

The one-day event in July will include screen­ings of shorts and fea­ture films from around the world (both in and out of com­pe­ti­tion), and host activ­i­ties that cel­e­brate film­mak­ing while broad­en­ing atten­dees’ skills in a vari­ety of disciplines.

Fes­ti­val direc­tor Antho­ny Van­der, a guer­ril­la film­mak­er for over a decade, says the idea for CFFL was born out of a need to bridge the gap” between sea­soned and less-expe­ri­enced film­mak­ers, and the desire to equip more under­rep­re­sent­ed voic­es with the tools and per­son­al con­nec­tions to make them­selves heard.

Cre­at­ing com­mu­ni­ty is some­thing that the film indus­try could always do with improv­ing”, Antho­ny explains. It’s not just from my own expe­ri­ences, but more so the expe­ri­ences of cre­atives that real­ly want to break into the industry.”

This sen­ti­ment is echoed by deputy fes­ti­val direc­tor, Bethany Tay­lor-Goh, who hav­ing caught the film­mak­ing bug” in 2024 believes she wouldn’t be where she is now with­out the peo­ple that she’s met along the way.

I didn’t go to film school. I didn’t have these con­tacts or this knowl­edge of the indus­try that you feel like some­times you need to, and it can feel very alien­at­ing,” she says. It was very impor­tant for her and Antho­ny to cre­ate a fes­ti­val that’s valu­able for first-time and emerg­ing film­mak­ers, and that they them­selves would love to go to and learn from.”

Person with curly orange hair wearing glasses and a black outfit, sitting on a chair on a stage.

CFFL aims to help devel­op film­mak­ers’ skills through work­shops and Q&As focused on over­com­ing var­i­ous film­mak­ing road­blocks such as dif­fi­cul­ty net­work­ing, restric­tions on bud­get or access to locations.

Bethany adds, Whether you’re inter­est­ed in cin­e­matog­ra­phy, light­ing, sound, you’re an actor, or you’re mul­ti­dis­ci­pli­nary, there’ll be things at the fes­ti­val that every­one can learn from.” She and Antho­ny believe that the festival’s com­mu­ni­ty spir­it will be fur­ther fos­tered by slight­ly unortho­dox activ­i­ties like karaōke.

The pair believe in the pow­er of social media in build­ing com­mu­ni­ty, and will be lean­ing on it heav­i­ly to help pro­mote cre­atives’ work online and make their col­lab­o­ra­tion and net­work­ing eas­i­er. Bethany describes how in the past many of her col­lab­o­ra­tions have hap­pened from see­ing what peo­ple share on Insta­gram, rather than through film festivals.

It can be dif­fi­cult some­times. You go to these film fes­ti­vals and meet so many peo­ple and then it’s just silence after­wards. If you don’t man­age to see someone’s film or catch them, and they leave the fes­ti­val imme­di­ate­ly after­wards, you’re not sure how to fol­low them up.”

Through mail­ing lists and social media posts, includ­ing vox pop-style inter­views, Bethany and Antho­ny hope to build a plat­form to help film­mak­ers keep in con­tact with each oth­er long after the first CFFL comes to an end. They also hope to inspire oth­er fes­ti­vals to empha­sise their poten­tial to build com­mu­ni­ties, an essen­tial for ampli­fy­ing under­rep­re­sent­ed voic­es.
Look­ing to the future, CFFL aims to be a year­ly event and even­tu­al­ly join the Asso­ci­a­tion of Inde­pen­dent Film Festivals.

In terms of the screen­ing pro­gramme, the fes­ti­val will have an inter­na­tion­al flavour, show­ing films from around the world. The CFFL team has received sub­mis­sions from the likes of Nige­ria, India, Iran and Tai­wan, among others.

They’re not just shorts, they’re fea­tures and doc­u­men­taries”, Antho­ny remarks. We’re not just look­ing for films that are set in stone and have a par­tic­u­lar bud­get or crew cast attached, but also first-time and sec­ond-time film­mak­ers, and sto­ries that are not just root­ed in the UK but also worldwide.”

The inau­gur­al Col­lec­tive Film Fes­ti­val Lon­don takes place on Fri­day 18 July at Col­lec­tive Act­ing Stu­dio. Book tick­ets at col​lec​tive​act​ingstu​dio​.co​.uk and fol­low the fes­ti­val on Insta­gram.

You might like

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.