Interviews | Little White Lies

Interviews

Interviews

Joe Dante on why Gremlins is the movie he’ll be remembered for

by Simon Bland

The veteran director reflects on the little monster movie that changed his career – and life – forever.
Interviews

Griffin Dunne on acting, Joan Didion and his plans for an After Hours TV show

by Manuela Lazic

The actor, director and producer discusses his latest project and reflects on his remarkably varied career.
Interviews

Travis Wilkerson: ‘There’s a tremendous opportunity for social change right now’

by Justine Smith

The radical director of Did You Wonder Who Fired the Gun? talks race and legacy in America.
Interviews

Michael Haneke: ‘I use the internet, but I don’t have time to waste on social media’

by David Jenkins

The Austrian auteur explains why he had to create a Facebook account for his new film, Happy End.
Interviews

Andrea Riseborough: ‘I get on a film set and brace myself to be patronised’

by Manuela Lazic

The British actor discusses her love of diving into a character and how she deals with everyday sexism in the film industry.
Interviews

Dee Rees: ‘This was a chance to tell the story of black soldiers who came back’

by Sophie Monks Kaufman

The director of Mudbound on how she grappled with the legacy of slavery in the Deep South.
Interviews

David Fincher: ‘Moviemaking is a rat f*ck, every day is a skirmish’

by Matt Thrift

The alchemist behind Fight Club and Zodiac discusses his newest true crime saga, the Netflix Original series MINDHUNTER.
Interviews

Sean Baker: ‘If you’re a filmmaker in the 21st century, it’s hard not to be a social activist’

by Sophie Monks Kaufman

The director of The Florida Project is quietly redefining concepts of movie magic and what it means to be a star.
Interviews

Love My Way: A conversation with Armie Hammer and Timothée Chalamet

by Adam Woodward

The Call Me by Your Name stars speak candidly about their cherished time on set together.
Interviews

Rungano Nyoni: ‘I wanted to show Zambian humour and how we deal with tragic events’

by Beth Webb

The Welsh-Zambian director discusses her impressive debut feature I Am Not a Witch.

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