Interviews | Little White Lies

Interviews

An older man with grey hair and a beard speaking on a red telephone, sitting at a desk with abstract geometric shapes in the background.
Interviews

David Fincher: ‘Moviemaking is a rat f*ck, every day is a skirmish’

by Matt Thrift

The alchemist behind Fight Club and Zodi­ac dis­cuss­es his newest true crime saga, the Net­flix Orig­i­nal series MINDHUNTER.
Cartoon image shows person with mouse-ear hat, standing by a car with stars on the side.
Interviews

Sean Baker: ‘If you’re a filmmaker in the 21st century, it’s hard not to be a social activist’

by Sophie Monks Kaufman

The direc­tor of The Flori­da Project is qui­et­ly redefin­ing con­cepts of movie mag­ic and what it means to be a star.
Intricate stone building with arched windows and balconies, surrounded by trees and vegetation.
Interviews

Love My Way: A conversation with Armie Hammer and Timothée Chalamet

by Adam Woodward

The Call Me by Your Name stars speak can­did­ly about their cher­ished time on set together.
A stylised portrait of a person with dark, braided hair and a thoughtful expression, set against a background of swirling, abstract shapes.
Interviews

Rungano Nyoni: ‘I wanted to show Zambian humour and how we deal with tragic events’

by Beth Webb

The Welsh-Zam­bian direc­tor dis­cuss­es her impres­sive debut fea­ture I Am Not a Witch.
Monochrome illustration of a man with facial hair, slicked-back hair, and a stern expression.
Interviews

S Craig Zahler: ‘Shooting graphic violence is like setting up a magic trick’

by Adam Woodward

The direc­tor of Bone Tom­a­hawk and Brawl in Cell Block 99 on his dis­tinct approach to genre filmmaking.
A portrait of a middle-aged man wearing a blue cap and a suit jacket, with a bridge visible in the background.
Interviews

Noah Baumbach: ‘People sometimes tell me, “Why don’t you just make something funny?”’

by Elena Lazic

The writer/​director of The Meyerowitz Sto­ries reveals how he mix­es the com­ic with the tragic.
Illustration of a woman with vibrant red hair and striking facial features against a pink background.
Interviews

Emily Beecham: ‘Characters don’t have to be likeable; everyone is good and bad’

by David Jenkins

The star of Daphne talks like­able char­ac­ters, Fleabag and see­ing Nicole Kid­man in the nude.
Close-up image of a man wearing a red cap and glasses against a backdrop of warm, vibrant colours.
Interviews

Steven Soderbergh: ‘There’s no new oxygen in this system’

by Matt Thrift

The Amer­i­can direc­tor dis­cuss­es his long-await­ed return to fea­ture film­mak­ing with Logan Lucky.
Elderly man with grey hair and glasses, wearing a blue jacket and vest, standing in a workshop setting.
Interviews

Tales From the Darkside: An interview with George A Romero

by Matt Thrift

The hor­ror mae­stro reflects on his unique and remark­able career in this pre­vi­ous­ly unpub­lished interview.
Portrait of a stern-looking military officer in uniform with a peaked cap, blue and red epaulettes, and a prominent chin.
Interviews

Christopher Nolan: ‘I’ve not fought in a war, it’s my worst nightmare to do so’

by David Jenkins

The Dunkirk direc­tor reveals the chal­lenges of trans­form­ing doc­u­ment­ed real­i­ty into an expe­ri­ence fit for the multiplex.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.