Interviews | Little White Lies

Interviews

Portrait of a man with curly hair and a serious expression against a red and green background, with a smaller image of a man in a suit in the foreground.
Interviews

Alexander Payne: ‘It’s a big idea you could take in myriad directions’

by Trevor Johnston

Nebraska’s finest mus­es on his dystopi­an, effects-dri­ven sci-fi satire, Downsizing.
Mature man with grey hair and a serious expression, wearing a light jacket, waving his hand.
Interviews

John Boorman on Kubrick, Connery and the lost Lord of The Rings script

by Matt Thrift

The leg­endary British direc­tor of Deliv­er­ance, Excal­ibur and Zardoz looks back over his extra­or­di­nary career.
A group of four people, including two women and two men, gathered together in what appears to be an office or workplace setting. They are standing and conversing, with one person seated at a computer.
Interviews

Beyond Infinity: Lee Unkrich on the past, present and future of Pixar

by Hannah Strong

The co-direc­tor of Toy Sto­ry 2 and 3, Find­ing Nemo and Coco reflects on his two decades at the ani­ma­tion studio.
Illustration showing a quaint town with houses, trees, roads, and various other elements. Vibrant colours, including blues, reds, and neutrals, create a whimsical and charming composition.
Interviews

Masters of War: Martin McDonagh on Frances McDormand

by Adam Woodward

The British writer/​director extols the many virtues of the star of his new film, Three Bill­boards Out­side Ebbing, Missouri.
Middle-aged man with grey hair and beard holding a small, furry animal with large ears in his arms, smiling at the camera.
Interviews

Joe Dante on why Gremlins is the movie he’ll be remembered for

by Simon Bland

The vet­er­an direc­tor reflects on the lit­tle mon­ster movie that changed his career – and life – forever.
Greying man with glasses, serious expression in monochrome illustration.
Interviews

Griffin Dunne on acting, Joan Didion and his plans for an After Hours TV show

by Manuela Lazic

The actor, direc­tor and pro­duc­er dis­cuss­es his lat­est project and reflects on his remark­ably var­ied career.
Monochrome image of a man standing on a road with a street sign in the background, surrounded by a desolate landscape.
Interviews

Travis Wilkerson: ‘There’s a tremendous opportunity for social change right now’

by Justine Smith

The rad­i­cal direc­tor of Did You Won­der Who Fired the Gun? talks race and lega­cy in America.
A bearded man wearing red-framed glasses holds a tablet computer against a bright pink background.
Interviews

Michael Haneke: ‘I use the internet, but I don’t have time to waste on social media’

by David Jenkins

The Aus­tri­an auteur explains why he had to cre­ate a Face­book account for his new film, Hap­py End.
Stylised illustration of a woman with thick red hair and sunglasses, surrounded by scissors and other hair-styling implements in pastel colours.
Interviews

Andrea Riseborough: ‘I get on a film set and brace myself to be patronised’

by Manuela Lazic

The British actor dis­cuss­es her love of div­ing into a char­ac­ter and how she deals with every­day sex­ism in the film industry.
Stylised illustration of a person with dark hair, looking to the side against a landscape with a red sky and trees.
Interviews

Dee Rees: ‘This was a chance to tell the story of black soldiers who came back’

by Sophie Monks Kaufman

The direc­tor of Mud­bound on how she grap­pled with the lega­cy of slav­ery in the Deep South.

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