by Hannah Strong
The star and producer of Shirley on the enticements of strong, complex female characters.
by David Jenkins
A decade of hard graft across stage, screen and TV has resulted in a bone-rattling lead turn in political horror, His House.
by Leila Latif
The actor and director discuss the shared experiences that inspired their bittersweet love letter to their spiritual home.
by Aaron Hunt
The director discusses her stark interrogation of the destructive stasis of the carceral state, Time.
Breaking into the local post office was deep research for the artworld multi-hypenate’s superb new film, Kajillionaire.
by Adam Woodward
The documentary maker attempts to cheat death with her life-affirming latest, Dick Johnson Is Dead.
by Rógan Graham
Don’t be fooled by the surface-level frivolity of Miss Juneteenth says its canny, thoughtful director.
by Lillian Crawford
The director of She Dies Tomorrow opens up about how anxiety and existential dread feed her creative spirit.
by Kambole Campbell
The star of Christopher Nolan’s Tenet revels in the toil of making an experimental mega blockbuster.
The Australian director discusses her debut, Babyteeth, and why she’s perfectly happy making other people’s scripts.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.