by Charles Bramesco
The writer/director on channelling John Ford for his first foray into the American frontier, News of the World.
by Hannah Strong
The writer/director shares her love of Paris Hilton and her frustrations with the way we talk about women in film.
by Christina Newland
The screen icon talks Tarantino, the delayed Django Lives!, and the time he got naked for John Huston.
by David Jenkins
The master filmmaker behind Mank on Orson Welles, Pauline Kael and realising a passion project after a 30-year wait.
by Leila Latif
The genre prodigy talks perfect casting and practical effects in his latest shocker, Possessor.
by Anton Bitel
The documentary maker discusses Leap of Faith, his spiritual excavation of William Friedkin’s 1973 masterpiece.
by Aaron Hunt
The director reflects on the making of his triumphant ode to Black culture and resilience, Small Axe.
by Adam Woodward
The renowned character actor reveals how Josephine Decker nudged him out of his comfort zone.
The star and producer of Shirley on the enticements of strong, complex female characters.
A decade of hard graft across stage, screen and TV has resulted in a bone-rattling lead turn in political horror, His House.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.