Is Quentin Tarantino the right person to make a… | Little White Lies

Incoming

Is Quentin Taran­ti­no the right per­son to make a film about the Man­son Fam­i­ly murders?

12 Jul 2017

Words by Josh Howey

Close-up of a man with a serious expression, slight beard, and a checked shirt.
Close-up of a man with a serious expression, slight beard, and a checked shirt.
He’s already writ­ten a script based on the noto­ri­ous true crime.

Quentin Taran­ti­no is poised to return to the world of fea­ture film­mak­ing in unex­pect­ed and slight­ly con­cern­ing fash­ion. Word has it that for his next film the writer/​director is set to tack­le the Man­son Fam­i­ly mur­ders which occurred on 8 August, 1969.

Lit­tle is known about the specifics of the project, but Taran­ti­no has report­ed­ly writ­ten the script and is keen to direct. Know­ing what we do about the crit­i­cal­ly-acclaimed, trig­ger-hap­py film­mak­er, it’s worth ask­ing whether his dis­tinc­tive style is suit­ed to bring­ing this trag­ic sto­ry to the big screen.

News of the mur­ders stunned the world after cult leader Charles Man­son ordered four of his fol­low­ers to break into the Los Ange­les home of direc­tor Roman Polan­s­ki and actress Sharon Tate. What ensued was the bru­tal slay­ing of four guests along­side an eight-month preg­nant Tate. (Polan­s­ki was film­ing in Europe at the time.)

Numer­ous films have drawn on the Man­son Fam­i­ly and their atroc­i­ties, from Hel­ter Skel­ter in 1976 to Man­son, My Name is Evil in 2009, but nev­er before has this infa­mous crime formed the basis of a major release. Of course, Taran­ti­no is no stranger to explor­ing con­tro­ver­sial top­ics, hav­ing pre­vi­ous­ly made films about slav­ery (2012’s Djan­go Unchained) and the fall of the Nazis (2009’s Inglo­ri­ous Bas­ter­ds).

But while he has suc­cess­ful­ly reimag­ined his­tor­i­cal events in the past, there’s some­thing iffy about the prospect of this par­tic­u­lar inci­dent being giv­en the Taran­ti­no treat­ment. Vio­lence is a promi­nent fea­ture of all his films, yet the gris­ly nature of the sub­ject mat­ter may call for a more sen­si­tive approach in this instance.

As the first Taran­ti­no project to be based on a real-life crim­i­nal case, it will also be inter­est­ing to see how or indeed if the film fits into his exist­ing direc­to­r­i­al canon. Are we like­ly to see a descen­dent of Djan­go Unchained’s Calvin Can­die make a brief cameo? Or will this sit out­side the Taran­ti­no-verse as we know it? In any case, it will be fas­ci­nat­ing to see what one of cinema’s sharpest minds makes of this noto­ri­ous true crime story.

You might like

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.