Tomorrow creeps in its petty pace in the first… | Little White Lies

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Tomor­row creeps in its pet­ty pace in the first image from Joel Coen’s Macbeth

23 Jul 2021

Words by Charles Bramesco

Two silhouetted figures embracing, in close intimate contact, black and white image.
Two silhouetted figures embracing, in close intimate contact, black and white image.
Den­zel Wash­ing­ton assays the Scot­tish noble and Frances McDor­mand is his schem­ing wife in the NYFF opener.

As pan­dem­ic con­di­tions start to loosen, everyone’s cat­a­logu­ing their own lit­tle signs that nature is return­ing,” and there’s no sur­er omen that nor­mal­cy has resumed for film obses­sives than the revival of a prop­er fes­ti­val sea­son. Toron­to seems to be full steam ahead, and now the New York Film Fes­ti­val has sig­naled their con­fi­dence by select­ing an open­ing night title with fit­ting A‑list names attached.

The Tragedy of Mac­beth, Joel Coens solo-direct­ed take on the immor­tal Shake­speare­an tragedy, will kick things off at the 59th NYFF. Today also brings a first look at the film in the image below, a more expres­sive chiaroscuro depic­tion of a lover’s embrace than one might antic­i­pate from pro­mo­tion­al mate­r­i­al for a Bard adaptation.

Though Coen loy­al­ists should know bet­ter than to expect the expect­ed, the broth­ers’ irrev­er­ent takes on his­to­ry (as seen in Hail Cae­sar and The Hud­suck­er Proxy, to name only a cou­ple) fore­telling a revi­sion­ist inter­pre­ta­tion of this oft-mount­ed text. For starters, Den­zel Wash­ing­ton will por­tray the famed Scot, mak­ing him the first Black man to play Mac­beth in a fea­ture film, with the great Frances McDor­mand por­tray­ing his schem­ing wife.

The rest of the cast will be filled out by Corey Hawkins (as the sus­pi­cious Mac­duff), Bren­dan Glee­son (as the aging king Dun­can), and the Queen’s Gam­bit break­out Moses Ingram (as Lady Mac­duff). To make mat­ters even more intrigu­ing, Coen eschewed loca­tion shoot­ing on the rolling Scot­tish hills and sit­u­at­ed the entire pro­duc­tion in sound­stage sets to cre­ate a look unteth­ered from reality.”

Though dis­trib­u­tors Apple and A24 have yet to set a release date either in the States or abroad, this nonethe­less presents an encour­ag­ing por­tent for this year’s NYFF, primed after a year spent online to return in grander fash­ion than ever. As for their Clos­ing Night and Cen­ter­piece picks — would it be too much to hope for a gan­der at the new Paul Thomas Ander­son?

The 59th annu­al New York Film Fes­ti­val will begin on 24 Sep­tem­ber and con­clude on 10 October.

Black and white image showing the silhouettes of two people in an intimate embrace, their faces close together.

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