In Conversation | Little White Lies

In Conversation

Reclining figure in peaceful purple seascape, with distant ships and rocky cliffs.
Interviews

Robert Eggers: ‘This is me trying to do Conan the Barbarian by way of Andrei Rublev’

by Charles Bramesco

The vision­ary direc­tor of The North­man talks scal­ing up pro­duc­tion, his love of Viking cul­ture, and the per­ils of work­ing with a flock of birds.
Elderly man with white hair smiling, against background of religious imagery including cross and nun's habit.
Interviews

Paul Verhoeven: ‘I identify far more with the “female” part of my brain’

by Justine Smith

The Dutch provo­ca­teur chats les­bian nuns, alter­nate real­i­ties and his undy­ing love for Quentin Tarantino.
A person in a dark jacket wearing glasses, gazing pensively out of a window.
Interviews

Juho Kuosmanen: ‘Steal from many different places and you can’t get caught!’

by David Jenkins

The direc­tor of Com­part­ment No. 6 on the joys of film­ing on loca­tion – in this case, a vin­tage pas­sen­ger train.
Two men sitting on a bench near a Christmas tree and decorations.
Interviews

Braxton Pope: ‘You’re never caught off guard with Paul’

by Sam Moore

The pro­duc­er of The Canyons and The Card Counter reflects on his expe­ri­ence work­ing with one of Hollywood’s most out­spo­ken auteurs.
A person wearing a checked jacket, black t-shirt, and a "Face Shields" headband, against a colourful, gradient background.
Interviews

Fred Armisen: ‘I’m wimpy about pain’

by Leila Latif

As he plays an over­whelmed indie direc­tor in Judd Apatow’s Covid com­e­dy, the actor talks stunts and believ­ing there real­ly are no small parts.
Dark scene showing a group of people gathered, expressions appear sombre.
Interviews

Adrian Lyne: ‘I’ve always thought that acres of flesh is incredibly unsexy’

by Elena Lazic

The mas­ter of the erot­ic thriller talks Deep Water, his long absence, and work­ing with Ben Affleck and Ana de Armas.
Portrait of a woman with dark hair, wearing a black blouse with pink floral embroidery, against a peach background.
Interviews

Lucie Zhang: ‘The nudity was like wearing a costume’

by Josh Slater-Williams

The star of Jacques Audiard’s Parisian dra­ma reflects on her whirl­wind jour­ney from first-time actor to the Cannes red carpet.
A smiling man with glasses against a colourful graffiti-painted wall.
Interviews

Joachim Trier: ‘We need to feel that we have choices which can change our lives’

by Hannah Strong

The writer/​director of The Worst Per­son in the World pon­ders love, death and the pos­si­bil­i­ty of a cos­mic order to all things.
Man with dark hair and facial hair wearing a dark coat against a teal background.
Interviews

Franz Rogowski: ‘It was a gift to not have to explain it all through words’

by Elena Lazic

The beguil­ing star of Sebas­t­ian Meise’s Great Free­dom reflects on his career so far and the future of cinema.
A portrait of a man with a beard and blue eyes, set against a pink cityscape background.
Interviews

Matt Reeves: ‘I didn’t know if Rob would want to come back to a blockbuster’

by Kambole Campbell

The man behind the return of Gotham’s favourite son reveals why Robert Pat­tin­son was his first and only choice.

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