In Conversation | Little White Lies

In Conversation

A person seated on a red inflatable boat in a dark, cavernous underground space, illuminated by a bright light.
Interviews

Michelangelo Frammartino – ‘The purpose of art is to explore the ineffable’

by Ben Nicholson

The Ital­ian film­mak­er on his slow-cooked won­der, Il Buco, and the artis­tic joys of dis­cov­er­ing some­thing new.
Smiling person wearing glasses in black and white image.
Interviews

Lucile Hadžihalilovic: ‘When I make a film, something unconscious comes out’

by Katherine Connell

The French writer/​director of Inno­cence and Ear­wig explains why she tells sto­ries from a dream log­ic perspective.
A black and white photograph of a pensive, serious-looking person with long hair, wearing a leather jacket, sitting in front of a film camera.
Interviews

Mia Hansen-Løve: ‘I admire Bergman’s aptitude for being alone’

by David Jenkins

The Bergman Island writer/​director on the Swedish mae­stro, the inner lives of artists and the process of bring­ing dreams to life.
Middle-aged man with greying beard and glasses, wearing a white apron, standing against a yellow background.
Interviews

H Jon Benjamin: ‘When I’m Bob, I’m a hamburger cook and not a singer’

by Charles Bramesco

The man behind Bob’s Burg­ers talks about the show’s tran­si­tion to the big screen for a mur­der mys­tery musical.
Close-up of a smiling bald man with a grey beard wearing a black shirt against a dark background.
Interviews

Gaspar Noé: ‘Vortex isn’t about the death of cinema, but its evolution’

by David Jenkins

The Argen­tin­ian enfant ter­ri­ble on death, sex, his mature new film Vor­tex and why mak­ing TV shows isn’t worth his freedom.
Two men, one with a beard, sitting on a wooden floor with musical instruments in the background.
Interviews

Warren Ellis and Andrew Dominik on This Much I Know to be True

by Greg Wetherall

The cre­ative process under Covid takes cen­tre stage in the director’s third col­lab­o­ra­tion with Nick Cave, co-star­ring his friend and fre­quent collaborator.
Close-up of a woman's face, with curly green hair, against a dark background with lines and shapes.
Interviews

Jane Schoenbrun: ‘I wanted the film to feel like we’re lost in the haze of the internet’

by Natalie Marlin

The We’re All Going to the World’s Fair direc­tor reflects on the impor­tance of allow­ing trans film­mak­ers to tell their own stories.
A black and white portrait of a woman with curly dark hair wearing a leather jacket and a lace blouse, looking directly at the camera with a contemplative expression.
Interviews

Laura Wandel: ‘It was important that the children made this film their own’

by Lillian Crawford

The Bel­gian direc­tor of har­row­ing Cannes stand-out Play­ground on the intri­ca­cies of mak­ing a film from the per­spec­tive of kids.
A man with curly hair looking out of a car window, set against a rural landscape.
Interviews

“No, not the dog!” – John McNaughton on Henry: Portrait of a Serial Killer

by Little White Lies

Three decades after it first shocked audi­ences, John McNaughton’s twist­ed thriller receives a 4K re-release cour­tesy of Arrow Films.
Giant face surrounded by waves and Viking ships against mountainous landscape, in shades of pink and purple.
Interviews

Alexander Skarsgård: ‘I’ve always nurtured this dream of looking at a great epic Viking movie’

by Hannah Strong

As he pre­pares to unleash hell in The North­man, we pro­file the Swedish actor who realis­es his life­long dream with this Scan­dana­vian epic.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.