Ignore the haters – this is the kaleidoscopic, enriching, Wellsian vision of a grand old master with nothing to lose.
The Xenomorphs are allowed to run amok once more in this passable franchise offshoot.
A man who feels disconnected from the world around him receives shocking news about his absent father in Moin Hussain's moving feature debut.
The MCU serves up a two-hour dick joke slam in the guise of a metatextual superhero threequel. Results may vary.
Across three timelines, a pair of lovers find each other again and again in Bertrand Bonello's ambitious, genre-defying latest.
The latest instalment in the simian cinema canon is a weak follow-up to the narrative established in its predecessors, as monkey in-fighting develops between various tribes.
A surprisingly entertaining showdown sequel which opts for no funny stuff and doing the simple things well.
Adam Sandler stars as a lonely cosmonaut who befriends a giant, benevolent spider at the edge of the universe in Johan Renck's spiritual odyssey.
Timothée Chalamet and Zendaya shine as mystical freedom fighters in this grandiose and often-breathtaking blockbuster.
Dakota Johnson delivers a remarkably disinterested performance as a clairvoyant superhero in this shoddy Spider-Man spin-off.
By Rogan Graham
Daniel Kaluuya and Kibwe Tavares' feature debut is a kinetic, prescient thriller about gentrification and isolation in a near-future version of London.
The barroom love-tester is God in this gentle sci-fi comedy with Riz Ahmed and Jessie Buckley as working stiffs at a scientific institute for love.
By Leila Latif
Saoirse Ronan, Paul Mescal and Aaron Pierre star in Garth Davies' unnerving sci-fi drama, based on Iain Reid's novel about a couple's disturbed existence in an America ravaged by climate change.
DC plunders the musty vaults for material and comes up with a poppy Latino riff on the boilerplate superhero yarn.
Eccentric French director Quentin Dupieux is totally dégagé about the ludicrous lameness of his latest comedy.
The extinction of the human race is on the table with this join-the-dots seventh entry to the apparently beloved fighting robot-based mega franchise.
Chie Hayakawa’s dystopian drama about a government-sponsored euthanasia programme is affecting, but leaves key questions unexplored.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
