Writer/director Ryan Coogler expands his colonialist critique in this epic MCU sequel which also pays moving tribute to the late Chadwick Boseman.
A group of coltan miners form an anti-colonialist computer hacker collective in Saul Williams and Anisia Uzeyman's Afrofuturist musical.
A dream auditor becomes caught up with an ageing eccentric in Kentucker Audley and Albert Birney's highly imaginative feature.
By Sarah Cleary
Extreme surgery replaces sex in body horror maestro David Cronenberg’s ambitious blends of science fiction and film noir.
A lean monster-slasher B-movie set in the Predator universe that’s a highlight of an extremely patchy franchise.
Taika Waititi returns to the MCU five years after Thor: Ragnarok with a disappointing sequel sorely lacking in charm and imagination.
Pixar crash land with an underwhelming sci-fi spin-off focused on Toy Story's Star Commander Buzz Lightyear.
By Leila Latif
The return of some familiar faces can’t save this dire dino flick from feeling like a cynical cash grab.
By Weiting Liu
A Chinese-American family’s lives are changed forever across multiple universes in Daniels’ ambitious second feature.
Director Sam Raimi injects some much needed personality into Marvel’s latest brand-building exercise.
Jared Leto plays a terminally-ill scientist who accidentally turns himself into a vampire in this shockingly inept superhero saga.
Dashed-off sequel to the 2020 hit which makes the Chipmunks films look like Tarkovsky by comparison.
Disaster artist Roland Emmerich pits a team of astronauts against the moon in his latest schlockbuster offering.
A tale as old as time gets a cyberspace makeover in Mamoru Hosoda’s reimagining of Beauty and the Beast.
By Mark Asch
Apichatpong Weerasethakul meticulously crafts a sensory journey soaked in introspection and metaphysical perplexity.
This long-awaited sequel is a revolutionary and radical capstone to the Wachowskis’ awe-striking cyberpunk trilogy.
Despite some compelling performances, Michael Pearce’s sci-fi thriller fails to live up to the promise of his debut, Beast.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
