Drama

Megalopolis review – scintillating, absurd and violently original

By David Jenkins

Ignore the haters – this is the kaleidoscopic, enriching, Wellsian vision of a grand old master with nothing to lose.

review

The Goldman Case review – a thumping courtroom drama

By David Jenkins

Cédric Kahn recreates the gripping 1976 trial of political activist Pierre Goldman in this immersive courtroom drama.

review

His Three Daughters review – fires on all pistons

By David Jenkins

Carrie Coon, Natasha Lyonne and Elizabeth Olsen play estranged sisters reuniting to care for their ailing father in Azazel Jacobs’ affecting chamber drama.

review LWLies Recommends

Girls Will Be Girls review – sympathetic to teendom

By Natasha Jagger

Shuchi Talati's sensitive Sundance sensation focuses on a teenage girl in North India who experiences first love amid clashing with her mother.

review LWLies Recommends

My Favourite Cake review – a charming slice-of-life film

By Fatima Sheriff

An elderly woman discovers romance again in Maryam Moghadam and Behtash Sanaeeha's touching dramedy.

review

Speak No Evil review – an effective game of cat and mouse

By David Jenkins

James McAvoy is a blast as the overly-friendly patriarch who invites unwitting tourists back to his west country stack for fun and games.

review

In Camera review – a star is born in Nabhaan Rizwan

By Hannah Strong

Naqqash Khalid’s inventive feature debut is a spiky take on navigating the British film industry as a non-white actor.

review LWLies Recommends

The Queen Of My Dreams review – exceptionally pleasant

By Grace Dodd

Fawzia Mirza's joyful, Bollywood-inspired debut feature explores a tumultuous mother-daughter relationship.

review

Rebel Ridge review – Aaron Pierre delivers the goods and then some

By Kambole Campbell

Jeremy Saulnier returns with a flinty, restrained crime-conspiracy thriller exploring small town police corruption and the one guy who they should never have messed with.

review LWLies Recommends

Starve Acre review – all texture and no teeth

By Michael Leader

Matt Smith and Morfydd Clark play a couple who move to an isolated Yorkshire Dales estate in Daniel Kokotajlo’s folk horror.

review

Paradise is Burning review – chaotic and wonderfully tense

By Grace Dodd

Rage, tenderness and no small amount of laughter combine in this nuanced portrayal of the Swedish working-class from writer/director Mika Gustafson.

review

Sing Sing review – Domingo and Maclin deliver powerhouse performances

By Isaac Feldberg

Set in a correctional facility, Greg Kwedar's poignant drama offers an exploration of art’s transformative potential.

review LWLies Recommends

Only the River Flows review – a spellbinding nightmare

By Josh Slater-Williams

A detective is haunted by a murder case he can't crack in Wei Shujun's unsettling crime drama.

review

Tuesday review – a magical realist allegory

By Anton Bitel

A mother and her teenage daughter come face to face with death in the form of a strange talking bird in Daina Oniunas-Pusic's feature debut.

review

It Ends With Us review – struggles to grapple with its heavy themes

By Anna McKibbin

Literary behemoth Colleen Hoover makes her cinematic debut, with this meandering, shallow examination of domestic abuse.

review

Alma’s Rainbow review – a stylish gem

By Marina Ashioti

30 years since its initial release, Ayoka Chenzira’s underseen debut feature receives a gorgeous 4K restoration.

review

Dìdi review – a neo-nostalgic period piece

By David Jenkins

Set in 2008, a 13-year-old boy undergoes the trials and tribulations of his final month of middle school in Sean Wang's directorial debut.

review

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design