by Kevin Maher
If the Coen brothers’ latest is not a revolution in cinema, it’ll do until the revolution gets here.
by David Jenkins
For two hours we’re at Paul Verhoeven’s total mercy, and boy does it feel good.
Daniel Auteuil and Juliette Binoche are terrorised by mysterious surveillance tapes in Michael Haneke’s gripping drama.
by Danny Miller
Match Point is enjoyable, if lacking in a little charm. Woody can do better than this, and we know it.
by Matt Bochenski
Sin City is not so much an adaptation as the transliteration of a comic book classic to the big screen.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.