by Jason Wood
This sensational debut from Sean Durkin sees Elizabeth Olsen become seduced by a dangerous cult.
by Matt Bochenski
Twenty minutes of Dubai-based blockbuster gold aside, Ghost Protocol is kind of flat, inert and not all that exciting.
by Adam Woodward
David Fincher can only slather high-grade attention-grabbing gloss onto Stieg Larsson’s crude pseudo-feminist turd.
by Dan Brightmore
British director Ben Wheatley delivers a future classic in the form of this white-knuckle thriller.
Pedro Almodóvar’s latest is an intoxicating elixir of dark fantasy, sick obsession and all-consuming desire.
Any intrigue established in Hanna is smothered by a director unable to overcome his own art house ambitions.
Rowan Joffe delivers a stale and soapy rehash when he should have dared to dream bigger.
If Black Swan is Darren Aronofsky’s claim to creative genius, it’s one that is undermined by the film’s own dual nature.
by Tom Seymour
In the truth it finds, Catfish is a sad and troubling film that avoids cynicism.
by Georgie Hobbs
Debra Granik’s edge-of-the-seat backwoods thriller features a star-making turn from Jennifer Lawrence.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.