by Anna Bogutskaya
The third instalment in the horror franchise gives us a lot of Ed and Lorraine Warren, but not nearly enough Satan.
by Hannah Strong
This procedural thriller reboot of the Saw franchise is painful to sit through for all the wrong reasons.
by Charles Bramesco
Joe Wright serves up a tepid slice of Hitchcockian suspense, with Amy Adams as a paranoid agoraphobe.
by David Jenkins
Innovative tech-powered horror miniature which trades on the hazards of the pandemic lockdown.
by Anton Bitel
One man’s quest to find his missing hammer becomes a profound existential journey in this stripped-down comedy.
by Aimee Knight
The spectre of dementia haunts Emily Mortimer and Bella Heathcote in this taut Australian Gothic.
Armie Hammer and Lily James are woefully miscast in this limp adaptation of Daphne du Maurier’s classic novel.
A pious young nurse experiences an extreme crisis of faith in writer/director Rose Glass’ arresting psychodrama.
by Lillian Crawford
Amy Seimetz’s neon-soaked danse macabre is one of the year’s most chilling and effective horrors.
by Josh Slater-Williams
Andrew Patterson’s incredible debut feels like a spiritual successor to Close Encounters of the Third Kind.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.