by David Jenkins
One of America’s most exciting young directors delivers half of a great movie with this investigation into religious cults.
The modern world is a strange and beautiful place in Jim Jarmusch’s melancholy vampire masterpiece.
by Anton Bitel
Bloodsuckers hit the beach in Neil Jordan’s woozy and extremely violent British noir.
by Adam Woodward
Operatic style can’t paste over the meagre, far-fetched substance in Oldboy director Park Chan-wook’s English-language debut.
by Ashley Clark
While the characterisation is thin and delivered in broad strokes, by the time havoc breaks loose it’s unlikely you’ll care too much.
by Dan Brightmore
British director Ben Wheatley delivers a future classic in the form of this white-knuckle thriller.
by Tom Seymour
Ti West’s period chiller is a modern horror film that feels at once nostalgically hackneyed and invigoratingly fresh.
by Jonathan Crocker
It’s got problems, sure. But once again, Park delivers something dark, witty and original.
Antichrist confirms Lars von Trier as the mad master-imp of world cinema.
by Matt Bochenski
Tomas Alfredson’s stunning Swedish love story has re-invented the vampire film.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.