by Dan Brightmore
British director Ben Wheatley delivers a future classic in the form of this white-knuckle thriller.
by Zara Joan Miller
American cop show meets the Emerald Isle equals Lethal Weapon gone Gaelic.
by Adam Woodward
Rowan Joffe delivers a stale and soapy rehash when he should have dared to dream bigger.
by Matt Bochenski
Olivier Assayas serves up an imaginative but exhausting study of a man who embodied the shifting sands of history.
The Town’s true colours are there, but you’ll have to scratch through a layer of Hollywood gloss to see them.
by Anton Bitel
In his low-budget feature debut, Ben Wheatley brings a very English working-class brand of domestic banality to his evil.
by Laurence Boyce
Jean-Luc Godard’s masterpiece stands the test of time, still managing to feel incredibly fresh and exciting.
by David Jenkins
A scene of almost unwatchable violence will colour your opinion on Michael Winterbottom’s dark thriller.
by Josh Winning
A wildly entertaining off-kilter crime thriller from the dream team pairing of Werner Herzog and Nic Cage.
Martin Scorsese’s latest is little more than a frustrating cobwebbed box of tricks and twists.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.