by David Jenkins
Olivia Colman is hampered by thin material in this overly-quaint parochial Britcom which contains a fair bit of swearing.
Jeffrey Wright shines in a bold contemporary arts satire that doesn’t quite manage to hit all of its targets.
by Cheyenne Bart-Stewart
Jeymes Samuel’s second feature follows the misadventures of one of the thieves who ended up on the cross next to Jesus Christ himself.
by Lillian Crawford
A curmudgeonly teacher, a grieving cook and a petulant young student find themselves thrown together for the holidays in Alexander Payne’s excellent Christmassy dramedy.
by Hannah Strong
This movie based on a musical based on a movie based on a book retains none of the biting wit that charmed audiences in its original iteration.
by Savina Petkova
Emma Stone gives a career-defining performance in Yorgos Lanthimos’ opulent provocation about the human body as a nexus for pleasure and pain.
Leo Leigh’s likeable but wonky feature debut offers a meandering trawl through the doomed love life of a mature party shop owner.
by Adam Woodward
Gather round and listen close… Paul King’s dazzling prequel to Roald Dahl’s beloved story is a joyous expression of pure imagination.
Another gorgeous tragicomic farce from Finnish maestro Aki Kaurismäki, a heartfelt cinephile ode to the possibility of love among the working classes.
A working-class student finds himself thrust into a new world in Emerald Fennell’s stylish but underwhelming second feature.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
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